this chapel and the Ely Chapel were built. His tomb remains, of grey marble, with a small brass figure of the bishop in his robes, with the inscription:--"Off yur charite pray for the soul of James Stanley, sutyme Bushype of Ely and Warden of this College of Manchestir, which decessed out of this transitore world the xxxi. daye of March, the yer of our Lord MCCCCC. and XV., on whos soul and all Christian souls Jhesu have mercy." Westward of this Derby Chapel stands the Ducie Chapel, dedicated to St. James, founded in 1507, and next comes the Radcliffe Chantry, dedicated to the Holy Trinity, founded by W. Radcliffe in 1498. The Radcliffes of Radcliffe, near Manchester, were an ancient race, and the ballad of "Fair Ellen," the daughter of one member of this family, who was slain by a cruel stepmother and her body cooked in a pie, is a gruesome legend of old Lancashire. The east end of the nave is used for services, and there is a fine modern pulpit. Manchester Cathedral possesses some very fine carved woodwork, of which the ancient rood-screen is a good example. The organ is placed above it. On entering the _Choir_ we notice the magnificently-carved stalls with rich tabernacle work, and quaint _misereres_. This is the work of James Stanley (1485-1509) afterwards Bishop of Ely, assisted by a Manchester merchant named Beck. The bishop's throne is modern, and also the reredos. The three Patron Saints-SS. Mary, George and Denys--appear in the niches. In accounting for this triple dedication Randle Holme states that to St. Mary was the earlier church dedicated, and that Thomas Delaware, "being partly a Frenchman, and partly an Englishman," selected St. Dionysee, ye Patron Saint of France, and St. George, the Patron Saint of England, as patrons of his new Cathedral. This does not seem probable, and it is more likely that the claim of Henry V. to the crown of France at the time of the founding of the college suggested the additional dedication. The windows have all modern glass. Formerly there was some curious ancient glass; in the east window of the south aisle, Michael and his angels fighting with the dragon; in the east window of the north aisle, SS. Augustine and Ambrose chanting the _Te Deum Laudamus_; in the clerestory were pictures of the Virgin; and then there were some curious representations of the Trinity. These have all disappeared. Of the modern ones, the most interesting, perhaps, is the Gordon window in the north aisle.