The Cathedrals of Great Britain: Their History and ArchitectureDitchfield, P. H. (Peter Hampson)
History
The Cathedrals of Great Britain: Their History and Architecture
Ditchfield, P. H. (Peter Hampson)
Cathedrals -- Great Britain; Church architecture -- Great Britain
The Bishops of Durham were great men, holding the rank of temporal
princes or Counts Palatine. Their courts were independent of the king,
and they could coin money and live as they listed. Moreover, many of
them were mighty warriors. Bishop Anthony Bek took part in the
Scottish wars, and had a vast army of knights and men-at-arms. It was
not until the year 1836 that the dignity of Count Palatine was removed
from the holders of the Durham See. Cardinal Wolsey was bishop here
for six years, but never set foot in his diocese. The monastery was
suppressed by Henry VIII., and a dean and chapter appointed. Many
learned and good men have held the See of Durham, and the names of the
last two bishops--Lightfoot and Westcott--will always be held in
esteem.
THE EXTERIOR
As we approach the church from the Palace Green we notice the grand
Norman building, which is much the same as when Bishop Carileph left
it. At the east end there is the Early English Nine Altar Chapel, at
the west the Galilee; the upper portions of the towers, the north
porch and a few windows are the only additions, and the whole
appearance of the church is at once bold, stern and commanding.
The _Central Tower_, the work of Prior Bell, was built in 1471. The
Bell Ringer's Gallery divides it into two portions, with two windows
in each, the lower ones being glazed and the upper louvred. The
panelled work, the ogee-shaped labels and the surmounting parapet
proclaim their Perpendicular style.
Two _Octagonal Towers_ of Norman character rise at the north corners
of the north transept. The _Western Towers_ are Norman as far as the
level of the nave roof, the upper portion being added in the
thirteenth century, and the pinnacles and parapets at the end of the
eighteenth. We have already alluded to the construction of the east
end, which replaced the apsidal termination of the original building.
The famous rose window is in the gable of the east end, and beneath
are nine lofty lancet windows. Notice the sculpture of the Dun Cow in
the north angle of the Nine Altars, placed there in 1775.
The _Porch_ was built by Wyatt, and we can endorse the decision of
Canon Greenwell, Durham's great historian, that "in its present
condition it is a most unworthy and discreditable portal for so
magnificent a temple as that into which it ushers the worshipper." The
woodwork is ancient, and here we see the famous sanctuary knocker,
which criminals used when they wished to gain an entrance and secure
the rights of sanctuary from mob violence or secular law. Two porters
were employed in watching for fugitives, and directly the refugee
knocked he was admitted, clad in a black cloth gown, with a yellow
cross on his left shoulder, conducted to a chamber near the south door
of the Galilee Chapel, and given shelter for thirty-seven days.
Public-domain text, read in full here on John Shaqi.
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