In the south transept there are the slender remains of the once famous tomb of Bishop Dalderby (d. 1320), to which there was great resort of pilgrims in mediæval times. His shrine was destroyed at the Reformation. This bishop built the upper part of the tower. The _Screen_ is good Decorated work, and consists of arches ornamented with figures of ecclesiastics and grotesques. It has been somewhat severely handled by fanatical destroyers, but, in spite of mutilation and restoration, it remains a noble example of the workmanship of the period. The organ stands above this screen. The doorways on each side of the screen are Early English, and are very beautiful. Entering the _Choir_, we see the earliest known example of pure Lancet Gothic or Early English, free from the trace of Norman influence. It was built by Bishop St. Hugh. The first stone was laid in 1192. The perfection of the ornament is wonderful. This part of the church suffered severely from the fall of the tower in 1237, and many traces of the disaster may still be seen. Screens divide the choir from the aisles, and were erected to strengthen the building. The _Choir Stalls_ are very fine, and were erected by Treasurer Welbourn in 1370. The carving is most elaborate and beautiful, and the _misereres_ are extremely curious and interesting. Behind each stall is a list of the Psalms which, according to the constitution of Lincoln, each prebendary is bound to repeat daily. The pulpit and bishop's throne are fairly modern. The brass lectern bears the date 1667. The _Reredos_ was restored about the middle of the eighteenth century, but contains some thirteenth-century work. A very interesting feature of the north side is the _Easter Sepulchre_, fashioned for the deposition of the consecrated elements of the Eucharist from the evening of Good Friday until the morning of Easter day; during which time it was watched by a quasi-guard. Three figures of sleeping soldiers appear in the carving. The style is Decorated. This tomb has been very doubtfully assigned to Remigius. There are the monuments of Katherine Swinford, third wife of John of Gaunt (d. 1403), from whom King Edward is descended in a direct line, and of her daughter, the Countess of Westmoreland (d. 1440), much mutilated by the soldiers. In the _North Aisle_ of the choir the beautiful double arcade work of Bishop Hugh is seen on the wall. In the _South Aisle_ are the remains of the _Shrine of Little St. Hugh_, the Christian boy with whose crucifixion the Jews were charged in 1255. The style is Decorated, but the shrine was mutilated by the soldiers in the Civil War. The great chronicler, Henry of Huntingdon, also lies buried here.