We notice in the west the large window erected by Lyhart, with modern glass, and the Norman arch over the door. The north aisle has Decorated windows inserted in the Norman walls. A reconstruction of the roof was made in the fifteenth century, when the walls were raised and Perpendicular windows added, and the slope of the roof changed into one much less steep. The _South Aisle_ differs little from the north. In the centre was Bishop Nykke's Chapel, which he devised for himself, to perpetuate a not very desirable memory. Here we have Late Perpendicular work in the vaulting and windows. Few monuments or brasses escaped the destructive hands of the Puritans. In the aisles there are a few--the altar tomb of Sir T. Wyndham and four wives; Dean Prideaux (d. 1724), a distinguished divine, the author of _The Connection between the Old and New Testament_, Sir John Hobart, Attorney-General to Henry VII. (1507); Bishop Parkhurst (1574). The _Choir_ occupies the space between the two last arches of the nave, being shut off from it by an interesting stone _Screen_. The lower part of this structure is ancient, having been erected by Bishop Lyhart in Perpendicular style. The upper portion was added about 1830. Two altars stood near the central door, one dedicated to the boy saint of Norwich, St. William, slain by the Jews. The scanty remains of these altars mark the site of two chapels, over which were the rood-loft and organ, destroyed by the iconoclastic Puritans, whose sacrilege and abominable riotings have been already mentioned in the records left us by Bishop Hall. At the Restoration Dean Croft endeavoured to remedy the result of their evil deeds, and fashioned a new organ which, with additions and improvements, remains and stands over the screen. Modern taste has removed some of the obstructions erected in times when the ideas of beauty and fitness were defective, and the alterations and improvements of the east end were not concluded till a few years ago. The stalls are very good Perpendicular work, fashioned at the time when the art of wood-carving had attained its highest development. The _misereres_ are specially worthy of examination. The old popular legend is often repeated concerning them, that if one of the monks fell asleep during service, and caused the bench to fall, he was condemned to severe penance. This idea has no foundation in fact, as the raised seat was designed, as its name implies, out of _pity_ for the infirmities of the brethren, and not for any idea of punishment. The bishop's throne and pulpit are modern, and the lectern is good Decorated work.