The Cathedrals of Great Britain: Their History and ArchitectureDitchfield, P. H. (Peter Hampson)
History
The Cathedrals of Great Britain: Their History and Architecture
Ditchfield, P. H. (Peter Hampson)
Cathedrals -- Great Britain; Church architecture -- Great Britain
"_Siste gradum propcrans, requiescit Mandevil urnâ
Hic humili; norunt et monumenta mori._
"'Lo, in this Inn of Travellers doth lie
One rich in nothing but in memory;
His name was Sir John Mandeville; content,
Having seen much, with a final continent,
Toward which he travelled ever since his birth
And at last pawned his body for y^e earth,
Which by a statute must in morgage be
Till a Redeemer come to set it free.'"
There is another monument which records the undying fame of one John
Jones, who wrote a poem on "the Shrine of St. Albans." But time has
been unkind to the poet, and his poem no longer exists. The massive
stone pulpit was designed by Lord Grimthorpe. An inscription at the
west end informs us that in the time of Henry VIII. and Elizabeth, on
account of the Plague in London, the Courts of Justice were held in
this nave. Dividing the choir from the nave is the fine Decorated
screen commonly but erroneously called that of St. Cuthbert, erected
about 1350 by Abbot de la Mare. It is not the rood-screen as it is
commonly described. That with its great, high, towering rood stood a
little further east. This is excellent Decorated work. It has suffered
from iconoclastic reformers. Over the screen is the modern organ. The
extensions of the screen over the aisles are the work of Lord
Grimthorpe. Notice the rich tabernacle work of the screen.
The _South Aisle of the Choir_ beyond the screen is all Norman, except
the modern vault. Here on the south is the tomb of two famous
hermits--Roger and Sigar--who lived in the time of King Stephen,
though the tomb is later. Roger lived near Dunstable, and Sigar in the
wood of Northaw, of whom it is said that he banished all nightingales
from his retreat, as their sweet song prevented him from saying his
prayers. Next we notice the Abbot's Door, which is rich Decorated
work, built by the fashioner of the screen, Abbot de la Mare
(1349-1396). The _Transepts_ and _Central Tower_ are plain Norman, the
work of Paul de Caen. The south wall of the south transept, however,
with its Five Sisters' Window, copied from York Minster, was entirely
rebuilt by Lord Grimthorpe. The eastern triforium arches are extremely
interesting, as they have curious baluster shafts which are
recognised as Saxon work. These doubtless are the sole remaining
relics of the ancient church built by Offa in 793, and were inserted
here by Abbot Paul. The capitals are, however, Norman. The small
window on the opposite side was an opening into a watching chamber,
whence a monk could keep guard over the treasures in the transept.
This chamber was not a reclusorium as the legends tell. On the east
side were two apsidal chapels, destroyed in order to make room for a
sacristy, which has now shared their fate. The altars of SS. Stephen
and John the Evangelist stood here. On the west side are three ancient
Jacobean cupboards, fashioned for the distribution of bread to the
poor on Sundays.
Public-domain text, read in full here on John Shaqi.
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