The Cathedrals of Great Britain: Their History and ArchitectureDitchfield, P. H. (Peter Hampson)
History
The Cathedrals of Great Britain: Their History and Architecture
Ditchfield, P. H. (Peter Hampson)
Cathedrals -- Great Britain; Church architecture -- Great Britain
Entering the building by the west door we obtain a grand view of the
interior. The beautiful clustered columns of the fine arches, wrought
of Purbeck marble, the fine triforium and clerestory, the distant view
of the choir, all combine to make a very impressive scene. The
oft-quoted lines tell us that
"As many days as in one year there be,
So many windows in this church we see;
As many marble pillars here appear
As there are hours throughout the fleeting year;
As many gates as moons one year does view--
Strange tale to tell! yet not more strange than true."
[Illustration Strengthening Arches. East Transepts.]
The uniformity of the architecture in the first beauty of Gothic
conception, the long rows of sepulchral monuments of warriors and
bishops, and the noble proportions of the building, add greatly to the
charm of this building; and yet it lacks much of the beauty which once
shone here. Little of its stained glass, which once shed wondrous
light on all we see, has been saved from the wreck caused by
Reformation zeal and the wanton destruction of Wyatt. The triforium
with its flat-pointed arches, sub-divided into four smaller ones,
ornamented with trefoils and quatrefoils, alternating with cinquefoils
and octofoils, greatly resembles that at Westminster. The clerestory
windows are triple lancets. The vaulting is plain, the arches rising
from clustered shafts with foliated capitals, and resting on
corbel-heads. The west wall has a triple-lancet window, and beneath
this is an arcade of four arches, each of which contains two
sub-arches. In the west window has been collected fragments of old
glass saved from the wreck. It is possible to discover the figure of
our Lord in Majesty, the Virgin, Zacharias in the Temple, the
Adoration of the Magi. There is some Flemish glass also here. The
glass in the west windows of the aisles is ancient (1240-1270), and we
see here the arms of Bishop Jewell (1562) and John Aprice (1558). The
aisles have double-lancet windows. There is a curious stone bench on
each side of the nave, upon which the piers stand. This was so placed
in order to distribute the great weight of the building resting on
these piers, as the foundations were not laid upon any very firm
ground, the nature of the soil being formerly marshy, and the
situation liable to floods. This ingenious plan has evidently had the
desired effect, as the building has stood for nigh 700 years. The nave
contains a fine series of monuments which were arranged here by Wyatt
in a barbarous fashion. This vandal was guilty of every enormity. Not
only did he remove the monuments from their original positions, but he
seems to have mixed up the effigies and put them on tombs to which
they did not belong. Beginning at west end of south side, leaving the
figure of Hibernia, which graces Lord Wyndham's monument (1745), we
see the monuments of the following:--
1. Bishop Herman (1078), which was brought from Old Sarum.
Public-domain text, read in full here on John Shaqi.
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