The _Lady Chapel_ is on the west of the choir aisle, and is of Early English construction. It was added about 1250, when the present piers and vault were built. The east wall, as we have said, is manifestly earlier, and is part of one of the earlier Saxon churches. The east window is restored Decorated. The west arch is round-headed, and shows that this part of the chapel was the east aisle of the north transept. There are extensive remains of colouring. Here is the remarkable "Watching Chamber," supposed by some to be a later shrine of St. Frideswide, and by Professor Willis and others to be the chamber where watch was kept for guarding the gold and jewels which adorned the actual shrine. It has three stages, and is very beautiful Perpendicular work. In this chapel there are some interesting monuments--Sir George Nowers (1425) (with good example of armour); Prior Guymond (?) (1149), or Prior Alexander de Sutton (1316), with Decorated canopy and effigy; Lady Montacute (1353), the supposed founder of the Latin Chapel; Robert Burton, author of _Anatomy of Melancholy_ (1639). Some "Morris" windows have been inserted here designed by Burne-Jones, very beautiful in themselves, but perhaps scarcely in keeping with their surroundings. The St. Cecilia window is extremely fine. The _Latin Chapel_ is mainly Decorated work of the time of Edward III., the western parts being earlier. The vault has some richly-foliated bosses, on which appear the waterlily and the roses, and heads surmounted with crown and mitre. The east window has strange Venetian tracery, but some excellent modern glass designed by Burne-Jones and representing incidents in the life of St. Frideswide. The other windows have some fine old fourteenth-century glass; the north-east window is modern. The woodwork is very fine; it is later than the chapel, and was not designed for it. The cardinal's hat, supported by angels on one of the carved poppy-heads, shows that this was prepared for Wolsey's choir. Some of the work is much older. In this chapel the writer used to listen to the lectures of the divinity professor, and was often distracted from the discourse by the architectural beauties around him. Beautiful vistas may be obtained here of "long-drawn aisles and fretted vault," and he became very conversant with the history of St. Frideswide as depicted in the fine east window. The _North Transept_ is similar to the nave in style. The north window is a modern restoration, and the glass is not very pleasing modern work. Here is the Perpendicular tomb of a monk, Zouch (1503), and some good brasses in the aisle. The north aisle has Norman vaulting. The windows are restored Perpendicular, and the glass is modern. The window at the west end of the aisle was refashioned by Dean Brian Duppa in his usual barbarous manner, but it has some good Flemish glass by Van Ling representing Jonah and the Gourd, with Nineveh in the background.