An unusual, and exceedingly beautiful, effect is given by the Gothic window mullions, between the chapels, in reality a series of geometrical window-frames, without glass. No florid ornament either inside or out is to be found to offend against accepted ideals. In short, "the whole is of a piece complete." The parapets of triforium and clerestory, with foliaged carvings, are about the only ornate decorations to be seen. The central tower, of great proportions, but incomplete as to the addition of a spire, is a marvel of strength and power. Its interior, elaborately decorated, forms a lantern at the crossing. Here, as at Bayeux, the choir is raised a few steps above its aisles, giving a certain impressiveness beyond what might otherwise exist. The interior, generally, is admirable. Clustered columns, as they are commonly called,--in reality they are clustered pillars, if word derivations are to be considered,--separate both nave and choir from the aisles; and, in case of the choir, a series of elongated circular pillars are coupled, one behind the other, an unquestionably unique arrangement. The transepts are practically non-existent, as the widening does not extend beyond the extent of the nave chapels. This leaves the ground-plan, at least, a mere parallelogram with a rounded eastern end. Notre Dame de Coutances is one of the few really great Gothic churches not possessing an example of those French masterworks, the rose window. Again referring to the fine tower group, it is probably true that, were the huge central tower properly spired, the ensemble would rival Laon in regard to its impressive situation and elaborate pinnacles. St. Pierre, of the fifteenth century, and St. Nicolas, of the fourteenth, complete the trinity of fine churches which Coutances possesses. The latter contains the unusual arrangement in a Continental church of pews in place of chairs, although formerly, it is said, this feature was not uncommon in Normandy. The somewhat considerable remains of a Roman acqueduct, near by, are sufficiently remarkable to warrant passing consideration, even by the "mere lover of churches." [Illustration] IX ST. PIERRE D'AVRANCHES There is little to recount concerning the See of Avranches. Its bishopric and its cathedral were alike destroyed during the parlous times of the bickerings and ravages of Royalists and Republicans of the Revolutionary period. All that remains to-day is a trifling heap of stones which would hardly fill a row-boat,--a fragment of a shaft on which is a tablet reading: "ON THIS STONE, HERE AT THE DOOR OF THE CATHEDRAL OF AVRANCHES, AFTER THE MURDER OF THOMAS A BECKET, ARCHBISHOP OF CANTERBURY, HENRY II., KING OF ENGLAND AND DUKE OF NORMANDY, RECEIVED ON HIS KNEES, FROM THE LEGATES OF THE POPE, THE APOSTOLIC ABSOLUTION, ON SUNDAY, 22D MAY 1172."