The Cathedrals of Southern FranceMansfield, M. F. (Milburg Francisco)
History
The Cathedrals of Southern France
Mansfield, M. F. (Milburg Francisco)
Cathedrals -- France; France -- Description and travel
Another exterior feature of note is seen at the third pillar at the
right of the choir. It is a curious double (back-to-back) statue of Ste.
Anne and the Virgin. It is of stone and of the late sixteenth century,
when sculpture--if it had not actually debased itself by superfluity of
detail--was of an excellence of symmetry which was often lacking
entirely from work of the thirteenth and fourteenth centuries.
The choir-chevet is a magnificent pyramidal mass of piers, pinnacles,
and buttresses of much elegance.
The towers which flank the north transept are adorned with an excellent
disposition of ornament.
The greater part of this cathedral was constructed during the period of
English domination; the choir would doubtless never have been achieved
in its present form had it not been for the liberality of Edward I. and
Pope Clement V., who had been the archbishop of the diocese.
The cathedral of St. André dates practically from 1252, and is, in
inception and execution, a very complete Gothic church.
Over its aisleless nave is carried one of the boldest and most
magnificent vaults known. The nave is more remarkable, however, for this
gigantic attribute than for any other excellencies which it possesses.
In the choir, which rises much higher than the nave, there comes into
being a double aisle on either side, as if to make up for the
deficiencies of the nave in this respect.
The choir arrangement and accessories are remarkably elaborate, though
many of them are not of great artistic worth. Under the organ are two
sculptured Renaissance _bas-reliefs_, taken from the ancient _jube_, and
representing a "Descent from the Cross" and "Christ Bearing the Cross."
There are two religious paintings of some value, one by Jordaens, and
the other by Alex. Veronese. Before the left transept is a monument to
Cardinal de Cheverus, with his statue. Surrounding the stonework of a
monument to d'Ant de Noailles (1662) is a fine work of wood-carving.
The high-altar is of the period contemporary with the main body of the
cathedral, and was brought thither from the Église de la Réole.
The Province of Bordeaux, as the early ecclesiastical division was
known, had its archiepiscopal seat at Bordeaux in the fourth century,
though it had previously (in the third century) been made a bishopric.
III
CATHÉDRALE DE LECTOURE
Lectoure, though defunct as a bishopric to-day, had endured from the
advent of Heuterius, in the sixth century, until 1790.
In spite of the lack of ecclesiastical remains of a very great rank,
there is in its one-time cathedral a work which can hardly be
contemplated except with affectionate admiration.
The affairs of a past day, either with respect to Church or State,
appear not to have been very vivid or highly coloured; in fact, the
reverse appears to be the case. In pre-mediæval times--when the city was
known as the Roman village of _Lactora_--it was strongly fortified, like
most hilltop towns of Gaul.
Public-domain text, read in full here on John Shaqi.
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