The Cathedrals of Southern FranceMansfield, M. F. (Milburg Francisco)
History
The Cathedrals of Southern France
Mansfield, M. F. (Milburg Francisco)
Cathedrals -- France; France -- Description and travel
One thing will always be recalled, and that is that a part of the
_enceinte_ of the ancient _Cité_ was a construction of the sixth
century--the days of the Visigoths--and that its subsequent development
into an almost invulnerable fortress was but the endorsement which later
centuries gave to the work and forethought of a people who were supposed
to possess no arts, and very little of ingenuity.
This should suggest a line of investigation to one so minded; while for
us, who regard the ancient walls merely as a boundary which sheltered
and protected a charming Gothic church, it is perhaps sufficient to
recall the inconsistency in many previous estimates as to what great
abilities, if any, the Goths possessed.
If it is true that the Visigoths merely followed Roman tradition, so
much the more creditable to them that they preserved these ancient walls
to the glory of those who came after, and but added to the general plan.
Old and new Carcassonne, as one might call them, in the sixteenth and
seventeenth centuries had each their own magistrates and a separate
government. The _Cité_, elevated above the _ville_, held also the
garrison, the _presidial_ seat, and the first seneschalship of the
province.
The bishopric of the _Cité_ is not so ancient as the _ville_ itself; for
the first prelate there whose name is found upon record was one Sergius,
"who subscribed to a 'Council' held at Narbonne in 590."
[Illustration: _The Old Cité de Carcassonne before and after the
Restoration_]
St. Hilaire, who founded the abbey at Poitiers, came perhaps before
Sergius, but his tenure is obscure as to its exact date.
The cathedral of St. Michel, in the lower town, has been, since 1803,
the seat of the bishop's throne.
It is a work unique, perhaps, in its design, but entirely unfeeling and
preposterous in its overelaborate decorations. It has a long
parallelogram-like nave, "_entièrement peinte_," as the custodian refers
to it. It has, to be sure, a grand vault, strong and broad, but there
are no aisles, and the chapels which flank this gross nave are mere
painted boxes.
Episcopal dignity demanded that some show of importance should be given
to the cathedral, and it was placed in the hands of Viollet-le-Duc in
1849 for restoration. Whatever his labours may have been, he doubtless
was not much in sympathy with this clumsy fabric, and merely "restored"
it in some measure approaching its twelfth-century form.
It is with St. Nazaire de Carcassonne, the tiny _église_ of the old
_Cité_ and the _ci-devant_ cathedral that we have to do.
This most fascinating church, fascinating for itself none the less than
its unique environment, is, in spite of the extended centuries of its
growth, almost the equal in the purity of its Gothic to that of St.
Urbain at Troyes. And this, in spite of evidences of rather bad joining
up of certain warring constructive elements.
Public-domain text, read in full here on John Shaqi.
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