St. Jean de Maurienne is a tiny mountain city well within the advance-guard of the Alpine range. Of itself it savours no more of the picturesque than do the immediate surroundings. One can well understand that vegetation round about has grown scant merely because of the dearth of fructifying soil. The valleys and the ravines flourish, but the enfolding walls of rock are bare and sterile. This is the somewhat abbreviated description of the _pagi_ garnered from an ancient source, and is, in the main, true enough to-day. Not many casual travellers ever get to this mountain city of the Alps; they are mostly rushed through to Italy, and do not stop short of the frontier station of Modane, some thirty odd kilometres onward; from which point onward only do they know the "lie of the land" between Paris and Piedmont. St. Jean de Maurienne is to-day, though a suffragan of Chambéry, a bishopric in the old ecclesiastical province of Tarentaise. The first archbishop--as the dignity was then--was St. Jacques, in the fifth century. The cathedral of St. Jean is of a peculiar architectural style, locally known as "Chartreusian." It is by no means beautiful, but it is not unpleasing. It dates, as to the epoch of its distinctive style, from the twelfth to the fifteenth centuries, though it has been so fully restored in our day that it may as well be considered as a rebuilt structure, in spite of the consistent devotion to the original plan. The chief features of note are to be seen in its interior, and, while they are perhaps not of extraordinary value or beauty, in any single instance, they form, as a whole, a highly interesting disposition of devout symbols. Immediately within the portico, by which one enters from the west, is a plaster model of the tomb of Count Humbert, the head of the house of Savoie. In the nave is an altar and mausoleum in marble, gold, and mosaic, erected by the Carthusians to St. Ayrald, a former bishop of the diocese and a member of their order. In the left aisle of the nave is a tomb to Oger de Conflans, and another to two former bishops. Through the sacristy, which is behind the chapel of the Sacred Heart, is the entrance to the cloister. This cloister, while not of ranking greatness or beauty, is carried out, in the most part, in the true pointed style of its era (1452), and is, on the whole, the most charming attribute of the cathedral. The choir has a series of carved stalls in wood, which are unusually acceptable. In the choir, also, is a _ciborium_, in alabaster, with a _reliquaire_ which is said to contain three fingers of John the Baptist, brought to Savoie in the sixth century by Ste. Thècle. The crypt, beneath the choir, is, as is most frequently the case, the remains of a still earlier church, which occupied the same site, but of which there is little record extant. XXII ST. PIERRE DE ST. CLAUDE St. Claude is charmingly situated in a romantic valley of the Jura.