The Église Notre Dame, though it is still locally known as "_la cathédrale_," is of the twelfth century, and has a wonderful old Romanesque north porch and peristyle set about with gracefully proportioned columns, the two foremost of which are supported upon the backs of a pair of weird-looking animals, which are supposed to represent the twelfth-century stone-cutter's conception of the king of beasts. In the tympanum of this portal are sculptured figures of Christ and the Evangelists, in no wise of remarkable quality, but indicating, with the other decorative features, a certain luxuriance which is not otherwise suggested in the edifice. The Romanesque tower which belongs to the church proper is, as to its foundations, of very early date, though, as a finished detail, it is merely a rebuilt fourteenth-century structure carried out on the old lines. There is another tower, commonly called "_la tour brune_," which adjoins the ancient bishop's palace, and dates from at least a century before the main body of the church. The entire edifice presents an architectural _mélange_ that makes it impossible to classify it as of any one specific style, but the opinion is hazarded that it is all the more interesting a shrine because of this incongruity. The choir, too, indicates that it has been built up from fragments of a former fabric, while the west front is equally unconvincing, and has the added curious effect of presenting a variegated façade, which is, to say the least and the most, very unusual. A similar suggestion is found occasionally in the Auvergne, but the interweaving of party-coloured stone, in an attempt to produce variety, has too often not been taken advantage of. In this case it is not so very pleasing, but one has a sort of sympathetic regard for it nevertheless. In the interior there are no constructive features of remark; indeed there is little embellishment of any sort. There is an eighteenth-century altar, in precious marbles, worked after the old manner, and in the sacristy some altar-fittings of elaborately worked Cordovan leather, a triptych which is dated 1518, some brilliant glass of the fifteenth century, and in the nave a Renaissance organ-case which encloses an organ of the early sixteenth century. Near by is Mont St. Guillaume (2,686 metres), on whose heights is a _sanctuaire_ frequented by pilgrims from round about the whole valley of the Durance. From "Quentin Durward," one recalls the great devotion of the Dauphin of France--Louis XI.--for the statue of Notre Dame d'Embrun. XXIX NOTRE DAME DE L'ASSOMPTION DE GAP Gap is an ancient and most attractive little city of the Maritime Alps, of something less than ten thousand inhabitants. Its cathedral is also the parish church, which suggests that the city is not especially devout.