The Catholic World, Vol. 01, April to September, 1865: A Monthly Eclectic MagazineVarious
Religion
The Catholic World, Vol. 01, April to September, 1865: A Monthly Eclectic Magazine
Various
Catholic Church -- Periodicals
The centre of attraction remains to be described. Within a few paces
of the organ-grinder, a little girl and boy danced indefatigably on
the stones, to the unmusical music of his box. The little boy was a
small, fair, sickly child, in a linen blouse, and about four years
old. He jumped, and stamped, and {108} laughed excitedly. The little
girl looked about a year older. She was plump and rosy, dressed in a
full pink frock and black silk apron. She had light brown hair, cut
short and straight, like a boy's. She danced very energetically, but
solemnly, without a smile on her wee round mouth. She poussetted, she
twirled--her pink frock spread itself out like a parasol. Her fat
little bare arms akimbo, she danced in a gravely coquettish,
thoroughly business-like way; now crossing, changing places with her
partner; now setting to him, with little pattering feet; now suddenly
whisking and whirling off. The little boy watched her, and followed
her lead: she was the governing spirit of the dance. Both children
kept admirable time. They were dancing the tarantella, though they had
never heard of it; but of all the poetry of motion, the tarantella is
the most natural measure to fall into.
The organ-grinder ground, and grinned, and nodded; the landlord and
his wife exchanged looks of admiration and complacency whenever they
could take their eyes off the little dancing nymph: it was easy to see
they were her proud parents. The quiet young lady on the bench looked
tenderly at the tiny, sickly boy, as he frisked. We felt sure she was
his mother. His eyes were light blue, not hazel; but he had the same
neat little features.
All of a sudden, down from an open window looking into the court,
there came an enormous voice--
"Ah, ah! Bravo! Ah, ah, Monsieur Babébibo-BOU!"
The little boy stopped dancing; so did the little girl, and every one
looked up at the window. The little boy, clapping his hands and
screaming with glee, ran under it. No one could be seen at that
aperture, but we had caught a momentary glimpse of a big blond man in
a blue blouse, who had instantly dropped out of sight, and who was
crouching on the floor, for we saw, though the child below could not,
the top of his straw hat just above the window-edge. The little boy
screamed, "Papa, papa!" The great voice, making itself preternaturally
gruff, roared out--
"Qui est là? Est-ce par chance Monsieur Babébibo-BOU?" (The first
syllables very fast, the final one explosive.)
"Way, way! C'est Mosou Babi--_bou_!" cried the child, trying to
imitate the gruff voice, and jumping and laughing ecstatically.
Out of the window came flying a huge soft ball of many colors, and
then another roar: "Avec les compliments du Roi de tous les joujoux, à
Monsieur Babébibo-BOU!"
More rapture. Then a large white packet, palpably sugar-plums, "Avec
les compliments de la Reine de tous les bonbons, a Mademoiselle Marie,
et à Monsieur Babébibo-BOU!"
Public-domain text, read in full here on John Shaqi.
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