The Catholic World, Vol. 05, April 1867 to September 1867Various
Religion
The Catholic World, Vol. 05, April 1867 to September 1867
Various
Catholic Church -- Periodicals
Genius, however great, will not make a man famous unless he works for fame.
Robert felt this and had strength, perseverance, and courage to labor, for
he was poor and of obscure name, and he knew what he could do, and was
determined to do it. But, like all who struggle through this life, he had
his depressions and his griefs, which he bore bravely; and if
discouragement ever glided into his soul, he instantly resorted to prayer,
and peace and repose would then spread their wings over him. He imposed
upon himself the strict obligation of never wasting a moment of time, and
chained himself to his work, as a galley slave is chained; accepting his
present life, mercenary and prosaic as it is, with perfect resignation and
happiness, feeling that God has made it thus, and that he must be thankful
for it. Existence was a happiness to him, for his heart was good, and duty
was to him perfect joy; and knowing he was necessary to the happiness of
Madame Gaudin, he devoted himself to her as a son. By degrees her strength
returned, and at last she was able to resume the management of the
household, which placed more time at Robert's disposition, and his mind,
rid of these cares, regains its elasticity and primitive vigor. Artistic
reveries come back, the fire of creative inspiration fills his soul, and he
stands before his canvas, on which the faint outlines of the Virgin are
traced. Then another dream seizes him, and hours and days and weeks of
patient labor are necessary to faithfully bring out his ideas, and at first
all is chaos; but slowly the canvas becomes animated, and finally Robert,
like Pygmalion, stands in ecstasy before his work. His body trembles with
enthusiasm, his eyes moisten, his knees give way under him--and why this
emotion? He has faithfully presented the scene where, between God and his
mother, his happy childhood was passed. The picture is astonishingly and
wonderfully true. Here stands out boldly the savage grandeur of Ecorcharde,
with its rugged sides and deep ravines--there the valley through which the
silver waters of the Dordogne run--the village of Bains--the church spire,
the rectory--and all the crowning glory of this mountain, its woods and
sombre verdure. There the little house where Robert had lived for twelve
years, and, at the extremity of the valley, the peak of Sauci, which
majestically crowned the whole. The memory of the young artist is faithful,
and he forgets nothing. Standing on a clearing on the mountain side is a
woman, and a child is playing near her; it is Robert and his mother. The
sun is just sinking below the horizon, and sheds upon the scene the glory
of its waves of gold and purple. Each day Robert gave many hours to this
picture, in which he relived his childhood's days; and, when completed, it
was a perfect masterpiece of grace and taste, and finished with much care.
His touch was fresh and bold--the animals that reposed in the valley were
Public-domain text, read in full here on John Shaqi.
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