Amusements, the most innocent in themselves, were the recognized cloaks or accompaniments of horrible deeds of licentiousness. The employment of certain kinds of music at banquets naturally suggested the criminal excesses with which such music was ordinarily associated. It was like meats offered to idols. Christians were bound to shun it, not because it was bad, but because it had been dedicated to bad uses. So was it also with burlesque singing. {98} The songs were not only comical, but wicked. And it is in pretty much the same sense that we must understand the saint's curious chapter on laughing, in which he rebukes ludicrous remarks, buffoonery, and "waggery," and declares that "imitators of ludicrous sensations" (mimics) ought to be driven out of good society. It is disgraceful to travesty speech, which is the most precious of human endowments, though pleasantry is allowable, provided laughter be kept within bounds. But we ought not to laugh in the presence of elderly persons or others to whom we owe respect, unless they indulge in pleasantries for our amusement; and women and children ought to be especially careful not to laugh too much, lest they slip into scandal. It is best to confine ourselves to a gentle smile, which our author describes as the seemly relaxation of the countenance in a harmonious manner, like the relaxation of a musical instrument. "But the discordant relaxation of the countenance in the case of women is called a giggle, and is meretricious laughter; in the case of men a guffaw, and is savage and insulting laughter." Of all such as this, it is needless to say, St. Clement disapproves.