Once for silver, now for gold, Is the Lord of glory sold! Woe, deep woe! Judas went to his own place; Nor shall time the sin efface. He must every joy forego! For ever, woe! [Footnote 27] [Footnote 27: It is on record that, at the first preaching of the Gospel, numerous signs, sounds, and words were uttered in the pagan temples, at the times of worship, to the confusion of the multitudes therein assembled. I leave the fact as I found it, to the construction of my readers, each one for himself!] Every heart was chilled; Chione paled and trembled. Magas sprang to her relief. "It is but a trick of your own devising; you are paid back in your own coin. Compose yourself, it is nothing." The crowd was too dense to allow a search to be made. There was a long pause, but at length Chione was called upon to proceed. Her theme was, "The Glory of Athens--of Athens, the Civilizer of the Nations." The tremor which was still slightly apparent in the frame of the Venus Urania when led forward by Magas, (now habited as Apollo, that he might consistently bear a part in the scene, and watch over any demonstration that should again affect the goddess he worshipped with so intense a devotion,) gave an increased interest to her appearance; the look of appeal she seemed to cast over that mighty throng, as if to claim protection from some invisible enemy of her peace, imparted an additional tenderness to the sympathies of the audience. Chione regained her courage, as she inhaled the moral atmosphere that surrounded her; she forced back the unwelcome shades of thought that had been called from their tombs, where she intended them to lie buried for ever. She gazed around. The scene at the back of the stage had been changed. The citadel of Athens had been introduced, and hovering above it was Minerva, the tutelary divinity of the place. Chione was evidently surprised; perhaps again she suspected an interruption; but Magas whispered, "By my command," and she at length made a gesture, as if to begin. There was, however, a marked change in her inspiration; she was no longer the commanding genius of the temple. It was evident to all that she was under some irrepressible, some irresistible influence. Magas looked anxious; his whole soul was bound up in Chione's success. She was his pride, his glory, his Aspasia, his Sappho. Never yet had he known her to fail; and he watched her words as if his very life depended upon them. She commenced: