But, amid all these manifold occupations, there was ever a certain earnestness, a striving out of the temporal into the eternal. Even art was not to her a mere amusement. Genuine art possesses an ennobling power, and she experienced what Michael Angelo once said to his friend Vittoria Colonna, "True painting is naturally religious and noble; for even the struggle toward perfection elevates the soul to devotion, draws it near to God and unites it with him." Attracted by the pure and lofty in art, Miss Linder gave preference to religious painting, a taste which was encouraged by her sterling master: and it caused her, though a Protestant, special gratification, while ever seeking the best studies, to paint or copy, whenever she could, devotional church pictures. In order to become acquainted, through actual observation, with the principal works of Christian art, she determined on a journey to Italy. Her first visit she decided to confine to the cities of upper Italy, and in company with Professor Schlotthauer and his wife, this plan was carried out during the summer and autumn of 1825. Milan, Verona, Padua, Venice, Bologna, were visited, and, led by the hand of her intelligent master, they all passed under her examination. The goal of her travel was to be Florence. But the long-continued, fine autumn weather attracted the travellers further and further, and at length they came to Perugia, the middle point of the Umbrian school, and thence to the neighboring, picturesque-lying Assisi. At this place a little circumstance occurred which became of deep significance in the after life of the artist.