The Catholic World, Vol. 09, April, 1869-September, 1869Various
Religion
The Catholic World, Vol. 09, April, 1869-September, 1869
Various
Catholic Church -- Periodicals
"On Good-Friday the Passion sermon exhausted my strength; the
following day I had no voice left. I was unable to give the
closing instruction of the retreat on Holy Saturday. I wrote a
scrap of a note to inform the Curé of Saint-Eustache, and he
bethought him of reading it from the pulpit. All went off
quietly; the people waited for benediction and went home."
Lacordaire was a far more brilliant and poetical preacher than De
Ravignan, but the styles of the two men were so entirely
different that there can be no comparison between them. The
conferences of the Jesuit orator, studied in the cold light of
print, lack color and imagination; but they can only be judged
fairly by those who heard them delivered. The principal
characteristic of his delivery we should judge must have been
force--a force which amounted to majesty. He spoke with a
commanding air of authority, as one whose convictions were as
fixed as the everlasting hills. His power of assertion was
tremendous; with all this he was animated and impassioned,
although he generally commenced with a slow and measured cadence.
His style was a little rough, but nervous and striking. He did
not captivate, but he conquered. His gestures were dignified and
impressive; his attitude was modest but commanding; his personal
presence was noble. When he entered the pulpit, he remained a
long time motionless, with eyes cast down, waiting until the
assemblage became perfectly still. Then he made the sign of the
cross with a pomp and stateliness which became famous.
{118}
A Protestant minister who witnessed this solemn exordium
exclaimed, "He has preached without speaking a word!" It used to
be said, "When Father de Ravignan shows himself in the pulpit, no
one can tell whether he has just ascended from earth or come down
from heaven." One day he had been describing the wilful misery of
the unbeliever--his doubts, fears, melancholy, repinings, and
despair; the picture was drawn with a terrible force; the
audience sat as if paralyzed. Suddenly, want of breath compelled
the orator to pause. He folded his arms, and with inimitable
emphasis brought the climax to an end with these words: "And we--
we are believers!" The effect was overpowering. The people forgot
themselves, and a signal of applause ran through the church. The
priest was indignant. With glowing countenance and arm raised in
air, he cried, "Silence!" in a voice of awful reproof, and the
assembly was instantly hushed.
Public-domain text, read in full here on John Shaqi.
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