The Catholic World, Vol. 09, April, 1869-September, 1869Various
Religion
The Catholic World, Vol. 09, April, 1869-September, 1869
Various
Catholic Church -- Periodicals
The ancient and laudable habit among lovers of art to enrich, by
special orders and purchases, their own homes--that noble
privilege of educated wealth!--she practised to a lavish extent.
Her collection of pictures embraced gradually works of the most
eminent artists. Besides the masters already mentioned,
(Overbeck, Cornelius, Eberhard,) Steinle was represented in a
series of glorious creations. Several of these, like the
"Manger-Festival of St. Francis," the "Legend of St. Marina,"
were the source of some of Brentano's beautiful inspirations and
are now included in his sacred poems. In addition to these
artists were Schnorr, Schraudolph, Schwind, Führich, Neher,
Eberle, Ahlborn, Koch, etc. In another respect, also, she
approved herself a true artist, namely, by rendering constant
assistance to such pupils of the distinguished masters with whom
she was friendly, as gave evidence of talent. Her helping hand
alone rendered, indeed, many an artistic undertaking possible;
and not a few artists had occasion, in such instances, to admire
not only the liberality but delicacy with which she dispensed
orders and bore with trying delays. She exhibited an
extraordinary degree of patience in the friendly manner with
which she would conform herself to personal circumstances and
private relations which did not at all concern her, even in cases
of work delayed for years and paid for in advance. She would even
heap coals of fire upon their heads by surprising them with
further money advances--a charity which at times was exceedingly
opportune. By this and similar methods Miss Linder, without any
display, accomplished much good, and constantly experienced the
pure pleasure of making others happy. And in yet another manner
she showed a noble liberality. With rare unselfishness she would
allow copies to be made and disseminated of the most valuable
drawings in her collection, her own private property. She not
only encouraged efforts of this kind, but sometimes at her own
expense actually initiated them. By this multiplication of fine
works of art she shared prominently in that noble task undertaken
by Overbeck and his companions--the establishment of a more
dignified and elevated art standard.
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