By sounds that come up through the open window, I know that the widow is in her kitchen helping to get the dinner. I seem to see her, hot and worried. She is always worried. Her face would be a sad one if she had time to let it settle into its proper expression. As she never has time, it is anxious and fretful, and older than her years. In the parlor, so near that the jangling of untuned wires sets my whole being on edge, her daughter is playing the piano as she sings, _I dreamt that I dwelt in Marble Halls_. Poor child! Yet dream on. Who could undeceive thee, knowing that there is woven into thy dream the pious resolve to win out of that discordant instrument money wherewith to buy thy mother ease? Heaven help thee and bring to naught the spite of the bachelor boarder in the room above, who, instead of employing his grizzly brain with the plan gossips have devised, by which he might brighten her life and thine, and his own most of all, paces up and down, cursing the noise, and consigning "that old tin pan" to a place his imagination keeps in a blaze with fuel of whatsoever offends him. He hates "that eternal thrumming," hates "genteel daughters of working mothers. Teach music! Better dismiss Nora and make Miss Julia help in the kitchen!" It might be as well, but it is no affair of his. Moreover, the mother has her dream. In it she sees her daughter less hard-worked than she has been, and higher in the social scale than she ever hopes to rise; except, perhaps, when that daughter shall have exchanged Smith for Smythe. But of all the vexations of our life here, the most persistent is the row of houses across the way. Beset by so many things that offend the other senses, we think it hard that our sight should be so meanly thwarted. I grow angry whenever I look out, and wish that I could push those houses down. I pine to see beyond them the curve of a bay bounded by hills, a stretch of river with steamboats and sails, and of shore with a village and farms on its slope, distant mountains blending with sky, or outlined against piled thunder-caps. Or a harbor with ships; some at anchor, some bound outward, and some coming in from strange countries. I keep fancying that the houses hide these sights, though I know there is nothing behind them but row on row, more brown, stony, and dull. These are low, and shut out less of the sky. The veneering, which is of plaster instead of stone, is falling off, here and there, to save it from monotony. The uniform dwellings, with their line of connecting porches, remind one of the inside of a fort, and of careless, gossiping, uncertain sojourn in quarters.