The Catholic World, Vol. 10, October, 1869 to March, 1870Various
Religion
The Catholic World, Vol. 10, October, 1869 to March, 1870
Various
Catholic Church -- Periodicals
Devotees of science whose Eurekas sound more faintly at every step
as they mount her endless ladders; not because they fall from such
altitudes, but because they become discouraged as the conviction
dawns on them that all they have gained amounts to little.
The trader whose vessels dot the seas, who is not so elate with
fortune that he never sends a sigh after earlier ventures--ships of
bark with freight of sand, on waters the width of a boy's stride.
The gambler in the bread of the poor, not so callous that he never
feels a twinge of the old wound, the stab conscience gave the first
time he played "pitch and toss" on the blind side of the school-house
and won foolish Richard's penny. He remembers that Richard went
crying to his father for redress, and his mother came and told the
master, who would not believe foolish Richard's story against "the
smartest boy and the best at cypherin' in his school." He escaped,
but Richard was whipped by his father for losing his money and
telling a lie. He distrusts conscience. Why smite so then, why touch
so lightly now, if she can find the difference between that childish
sin and this wringing hard-earned pence from thousands of simple ones?
And the Father to whom the wretches clamor so does not seem to be a
credulous father to them. Perhaps, after all, he does not hear; or
is, like the master, on the side of those who can help themselves.
At any rate, his mills grind so slowly that it would hardly pay to
compute the time one's turn would take to come. It may be that the
wheels stand still, waiting for all his floods to gather.
The politician, not so lost in tortuous ways that the man depicted
in his first piece to speak, (it was chosen by his good mother, and
often said over to her for fear of "missing" on the momentous Friday,)
"The man whose utmost skill was simple truth;
Whose life was free from servile bands
Of hope to rise or fear to fall,"
does not still stand on the old pedestal in his secret heart.
Absent-eyed women, automatic figures in collections of cabinet-work,
upholstery, pictures, and marbles, to which no memories of theirs
have grown, lending attention to formal visitors while their
thoughts stray to the play-house under a tree, where they used to
receive little friends in calico sun-bonnets. The house of which
they themselves laid the moss carpet and chose and placed the
ornaments, deserted bird's-nests filled with speckled Solomon's
Seal, curiosities from the wood, and pretty stones from the brook.
For paintings, they had green vistas and glimpses of village, water,
and sky. The service, of acorn cups and bits of colored glass and
"chaney," was daily polished and set out by their own hands on the
flat rock they "made believe" was a table.
Public-domain text, read in full here on John Shaqi.
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