The Catholic World, Vol. 13, April to September, 1871Various
Religion
The Catholic World, Vol. 13, April to September, 1871
Various
Catholic Church -- Periodicals
Here follows a brief history of the renowned miracle of Tepeyac. In
1531, ten years after the conquest, the pious and simple Indian, Juan
Diego, was on his way to the village of Guadalupe, near the city of
Mexico, there to receive the instructions of some reverend fathers.
Suddenly, at the hill of Tepeyac appeared to him the Blessed Virgin,
who commanded her amazed client to go forthwith to the bishop, and
make known that she wished a church to be built in her honor upon
that spot. Next day the Blessed Virgin returned to hear the regret of
Juan Diego that he could not obtain the ear of the bishop. "Go back,"
said the Holy Lady, "and announce that I, Mary, Mother of God, send
thee." The Indian again sought his bishop, who this time required
that he should bring some token of the presence and command of his
patroness. On the 12th of December, Juan Diego again saw Our Lady,
who ordered him to climb to the top of the barren rock of Tepeyac and
there gather roses for her. To his great astonishment, he found the
roses flourishing on the rock, and brought them to his patroness, who
threw them into his tilma or apron, and said: "Go back to the bishop
and show him these credentials." Again came the Indian before the
bishop, and, opening his tilma to show the roses, lo! there appeared
impressed upon it a marvellous image of the Blessed Virgin. The
bishop was awestruck and overcome. The miraculous occurrence was made
known and proved. Processions and Masses celebrated it, and its fame
spread far and wide. A large new cathedral was erected on the hill of
Guadalupe, and multitudes from all parts flocked thither. Specially
noteworthy is the fact that the new shrine to Our Lady was erected in
the place where once the Indians worshipped their goddess Totantzin,
mother of other deities, and protectress of fruits and fields. The
marvellous picture was found impressed upon the rudest cloth, that
of a poor Indian's apron, the last upon which to attempt a painter's
artifice--and hence the greater wonder, the artistic testimony
regarding which is something formidable and wonderful in itself.
Public-domain text, read in full here on John Shaqi.
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