But we can dwell no longer on these ages of heroic sacrifice. Pascal has truly said that “the history of the rest of the Romans pales beside the history of the martyrs.” Whoever wishes to see the full force of this remark, let him read the _Acts of the Martyrs_, in the history of Eusebius, or the charming pages of Ruinart, or in the ponderous tomes of the Bollandists. Nowhere in Christian literature is there anything so simply and touchingly eloquent. The _Acts of the Martyrs_ constitute a drama whose character is most sublime, and the interest of which is more than ravishing. In order to express our idea more perfectly, we will borrow the words of Mgr. Freppel. “If there be a drama,” he says, “each of whose acts bears a special character, whilst at the same time perfect unity is preserved, it is the _Acts of the Martyrs_. Here we have a bishop who puts to confusion a proconsul by the calm constancy of his faith; there we have a virgin who mingles with her answers that enthusiasm of love with which her heart is on fire. In another place, we have the Christian mother surrounded by her sons, who confess one after another the simple faith of their infancy, and pass from mouth to mouth the testimony of truth. Again, we have the Christian soldier, who reveres in Cæsar the majesty of power, but who places above all imperial honors the worship of the King of kings. In this magnificent epopee of martyrdom, to which each persecution adds a new song, the scene varies according to time and place; it is the fidelity of love and the grandeur of sacrifice which constitute its unity.”[51] It is there that we have put before us the most beautiful and the most noble characters that have ever done honor to the human race. We find nothing sordid, nothing selfish, nothing haughty in these heroes. They are meek and humble, yet brave and high-souled, and strikingly grand in the face of death. Profane history may ransack its annals, but it will never be able to show us characters so noble and so admirable. Their equals are not to be found in the _Lives_ of Plutarch, nor in the pages of Eutropius. How true is it that the Catholic Church alone is the Mother of Heroes! The heroism of the martyrs was of that kind for which all ordinary theories fail to account. It gave strength to the tottering frames of venerable old men; it made timid virgins courageous in the presence of hideous racks; it spoke by the lisping tongues of frail infants. Let the profane historian point to any scene that can equal in simple grandeur the trial and death of the gentle, sweet St. Agnes, or in heroic endurance the painful, slow martyrdom of the beautiful Agatha, the glory of Sicilian virgins. Let him tell us of anything, either in profane fact or fable, which can equal in purity and strange boldness the beautiful history of Eulalia, the child-saint of twelve summers, whose name is celebrated in touching harmonies by Prudentius as the glory of Merida, the sweet Lusitanian city