The Catholic World, Vol. 15, Nos. 85-90, April 1872-September 1872: A Monthly MagazineVarious
Religion
The Catholic World, Vol. 15, Nos. 85-90, April 1872-September 1872: A Monthly Magazine
Various
Catholic Church -- Periodicals
In one of the Protestant churches of our city, we were shown
a sounding-board, whose authors seemed to have halted between
the acoustic merits of the paraboloid and the graceful shape of
the pilgrim’s scallop-shell. We were told that “it helps the
voice of the preacher.” There seemed to be too much of it for
ornament, if its principle be wrong or inefficient, and too little
for usefulness if right. Many attempts to improve the acoustic
properties of halls designed for public lectures are failures
through faulty execution of correct designs.
We once saw the working-plans of a lecture-room, where the line
of intersection of the end wall with the floor of the stage or
platform was a _parabola_, the arch above and behind the lecturer’s
desk being a _semi-paraboloid_, springing from the wall at the
height of the speaker’s voice. Thus, it was supposed that the
_pulses_ reflected from the walls and arch would proceed in
parallel lines or “waves of sound,” because the _initial pulse_
would always be given at the _focus_ of the reflector.
The place of every joist in the cylindrical wall was carefully
marked, and the dimensions and place of each rib of the
paraboloidal arch accurately given. But in executing the design,
the builder discovered a _mistake_!--“the floor of the stage would
not be a true circular segment!” So he “_corrected_ it”--with
stunning effect upon the lecturer, and to the utter confusion of
his audience. And the design was pronounced _a failure_.
In looking through the work before us, we almost unconsciously
began to say: “This is nothing new; we have seen this, and more
than this, before.” And in the same sense, we suppose it might as
well be said that _nothing_ is essentially new.
We have lately seen a notice of an invention for tracing patterns
on glass by means of a _jet_ of sand. Of course, it is nothing
new. The wind has been doing the same trick with the sand of the
sea-shore for ages. We have seen it long ago, and often. Doubtless,
the same effect has been noticed by many others. A thought of
the possible utility of a process whose result was seen may have
flitted through many minds, and, like the outline of a passing
cloud, have been forgotten as it passed. But honestly, we never
thought of tracing lace patterns on glass by any such process. And
while new combinations of well-known truths give new and useful
results, we hope they may never cease to be made.
Public-domain text, read in full here on John Shaqi.
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