The Catholic World, Vol. 17, April, 1873 to September, 1873: A Monthly Magazine of General Literature and ScienceVarious
Religion
The Catholic World, Vol. 17, April, 1873 to September, 1873: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
See you yonder, on the slope of the hill, that pretty cottage, so neat
and white, with its little thatched barn, so clearly defined against
the caressing foliage of that beautiful copse of maples? Well, that is
a Canadian home. From its high green pedestal it smiles at the great
rolling river, in whose wave is mirrored its trembling image, and which
so gently comes to expire at its feet; for the happy proprietor of this
pretty dwelling loves his great, beautiful river, and has been careful
to establish his home on its banks. Sometimes, when necessity obliges
him to go away, he is always homesick, because he must listen to its
grand voice, and contemplate its wooded islands and distant shores;
he must caress with his eyes its waters, sometimes calm, sometimes
foaming and turbulent. A stranger who is not familiar with the
_habitant_ of our country, and who imagines that there is an affinity
to his ancestor—the peasant of old France—is much mistaken. More
enlightened, and, above all, more religious, he is far from sharing
his precarious condition. The former is, in comparison, a veritable
prince; perfectly independent on his sixty or eighty arpents of land,
surrounded by a cedar enclosure, he is furnished with everything
necessary for an honest and comfortable subsistence.
Let us now peep under this roof, whose exterior is so attractive.
I should like to sketch it just as I’ve seen it so frequently. On
entering the _tambour_, or passage-way, two pails of fresh water,
standing on a wooden bench, and a tin cup hanging against the wall,
hospitably invite you to quench your thirst. In an inner room the
mother of the family is quietly spinning near the window, while the
soup is boiling on the stove. A calico cape, a blue skirt of domestic
manufacture, a _caline_[40] neatly fixed on her head, completes her
toilet. The baby sleeps in its cradle at her side; from time to time
she smiles at its bright little face, as fresh as a rose, peeping out
from the quilt, whose triangular patches of the brightest colors are
ingeniously distributed over it. In a corner of the room the eldest
daughter sits on a chest, singing merrily, while she works at her loom;
quickly and skilfully the shuttle flies between her hands; she makes
in a day several measures of cloth, which she will use next year to
make into garments. In another corner stands the huge bed, with its
white and blue counterpane, and at its head a crucifix surrounded with
pictures. That little branch of withered fir above the cross is the
blessed palm. Two or three barefooted little urchins are playing on
the floor, harnessing up a dog. The father, bending over the stove,
gravely lights his pipe with a firebrand. He is accoutred in a red
woollen cap, vest and pants of a grayish material, and rough, heavy
boots. After each meal he must “take a smoke” before going out to
plough or to thresh in the barn. There is an air of thrift and comfort
about the house; the voices of the children, the songs of the young
Public-domain text, read in full here on John Shaqi.
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