The Palais Cardinal, during Richelieu’s multifarious reign, was the theatre of many boisterous scenes, dark intrigues, and events otherwise important than these literary skirmishes that occasionally engage the thoughts of ambitious statesmen. Its propinquity to the Louvre enabled him to keep his lynx eyes on the busy hive of friends, foes, and tools who gathered round the king; to frustrate the petty plots of courtiers; and forestall the schemes of faction by his ubiquitous presence. Nor are comic chapters lacking in the annals of the Palais Cardinal at this period. One related by the sprightly Duchesse de Chevreuse, in a letter to Mme. de Motteville, is grotesque enough to be worth recording, as characteristic of the cardinal and the court. Richelieu, it was said, had dared to raise his eyes to the queen, then in the full bloom of her youth and beauty. As might be expected, the unwarrantable presumption inspired Anne of Austria with no gentler feeling than contempt, not unmixed with disgust. She gathered up her purple robes, as she might have done at the touch of a viper, and shook them, and passed on with a shudder and a shrug. But her volatile friend, Mme. de Chevreuse, whose _rôle_ was fun at any price, thought the cardinal’s love too good a joke not to be turned to account. She proposed playing him a trick which would have the double advantage of giving herself and her royal mistress an hour’s good fun, and of making Richelieu, whom she hated with a woman’s inventive hate, appear thoroughly ridiculous. “Let me tell him from myself,” she entreated, “that your majesty is only inexorable because you do not believe in the sincerity of his love; but that, if he can give you proof of it, you are open to conviction. I will propose that he come here by the private way, dressed as a harlequin, and dance the saraband before you one of these evenings, assuring him, if he does this, you will believe in the reality of his protestations.” Anne was young, her life had not much sunshine in its splendor, and the demon of frolic which so madly possessed her friend was not without its power over her. She consented that the outrageous joke should be played off on her gloomy swain. The duchess accordingly informed him that the queen was passionately fond of the saraband, and had often expressed a desire to see it danced by one whose dignified deportment and elastic figure were so admirably adapted to bring out the peculiar characteristics of the spirited and stately dance, and that nothing would gratify and flatter her more than to see his eminence yield to this fancy. It was necessary, she added, that he should be dressed as a harlequin, in order to bring out in all their perfection the picturesque points of the dance. Richelieu bit at this outlandish bait, and it was agreed on a given night he would roam to the Louvre, and disport himself in the aforesaid manner for the edification of the queen, he being alone