The country people had the greatest love and respect for the disgraced queen; and, till lately, the lace-makers held “Cattern’s Day,” the 25th of November, as the holiday of their craft, “in memory of good Queen Catherine, who, when trade was dull, burnt all her laces, and ordered new to be made. The ladies of the court followed her example, and the fabric once more revived.” Lace was and is considered a suitable present from a king to a pontiff. These earlier gifts were, it is true, sometimes of gold and silver lace wrought with precious stones, but they were scarcely more costly than the later white-thread points. In the Exhibition of 1859 was shown a dress valued at 200,000 francs, the most costly work ever executed at Alençon. This Napoleon III. purchased for the empress, who, it is said, presented it to his Holiness the Pope as a trimming for his rochet. Also, so early as the XIIIth century, the English cut-work was so fine that, according to Matthew Paris, Pope Innocent IV. sent official letters to some of the Cistercian abbots of England to procure a certain quantity of those vestments for his own use. His Holiness had seen and admired the orfrays of the English clergy. The finest specimens extant of this old English work (_opus Anglicanum_) are the cope and maniple of S. Cuthbert, taken from his coffin many years ago in the cathedral of Durham, and now preserved in the chapter library of that city. One who has seen them declares them beautiful beyond description. This work seems to have been at first used only for ecclesiastical purposes, and the making of it to have been a secret preserved in the monasteries. Nor have the clergy been merely the wearers of lace. We hear of monks being praised for their skill in “imbrothering”; and S. Dunstan himself did not disdain to design patterns for church lace. Pattern-books for these needle-laces were made by monks as well as laymen, and plates in them represent men seated at the embroidering frame. Some of these old pattern books of the XVIth century are preserved in the library of S. Geneviève at Paris, inherited from the monastery of that name. These books are prized and sought for as some of the earliest specimens of block-printing. But few remain, and doubtless their high price prevented them from being made in great numbers. Their place was taken by samplers, into which were copied the patterns desired. From these old lace-samplers come the later alphabetical samplers, which many now living will remember to have made in their youth.