Desirous to revive the work, Queen Adelaide ordered a dress of Honiton sprigs, on a ground of Brussels-net, the flowers to be copied from nature. The skirt of this dress was encircled with a wreath of elegantly designed sprigs, the initials of the flowers forming her majesty’s name: Amaranth, Daphne, Eglantine, Lilac, Auricula, Ivy, Dahlia, Eglantine. Queen Victoria’s wedding lace was made at Honiton, difficulty being found in obtaining workers enough, the manufacture had been so little patronized. The dress, which cost 1,000 pounds, was entirely of Honiton sprigs connected on a pillow. The patterns were destroyed as soon as the lace was made. Several of the princesses have had their bridal dresses of Honiton. The application of Honiton sprigs upon bobbin-net has of late almost entirely given place to guipure. The sprigs are sewed on a piece of blue paper, and then united by the pillow, by cut-works, or purlings, or else joined with the needle, button-hole stitch being the best of all, or by purling which is made by the yard. But Honiton has fallen in public esteem by neglecting the pattern of its lace, which does not well imitate nature. A new branch of industry has lately risen there—that of restoring or remaking old lace. When old lace revived, it became a mania. The literary ladies were the first to take this fever in England. Sidney, Lady Morgan, and Lady Stepney made collections, and the Countess of Blessington left at her death several large chests full of fine antique lace. In Paris, the celebrated dressmaker, Madame Camille, was the first one to bring old laces into fashion. Much lace is taken from old tombs, cleansed, and sold, usually after having been made over. All over Europe it was the custom to bury the dead in lace-trimmed garments, and in some cases these burial toilets were of immense value. In Bretagne, the bride, after her marriage, laid aside her veil and dress, and never wore it again till it was put on after she was dead. Many of these old tombs have been rifled, and the contents sold to dealers. In Ireland, lace-making was at one time quite successful. Swift, in the last century, urged the protection of home manufactures of all kinds, and the Dublin Society, composed of a band of patriots organized in 1749, encouraged the making of lace, and passed strong resolutions against the wearing of foreign lace. Lady Arabella Demy, who died in 1792, a daughter of the Earl of Kerry, was especially active in the work, and good imitations of Brussels and Ypres lace were made. In 1829, the manufacture of Limerick lace was established. This is tambour work on Nottingham-net. But the emigration of girls to America, and the effort of the manufacturers to produce a cheap article, thus bringing it into disrepute, have prevented this lace from attaining success.