When, in 1851, his friends wished to nominate him as a candidate for the French Academy, the highest literary honor possible, Reboul answered M. de Fresne thus: "Your kind friendship has led you astray. What on earth would you have me do in such a body? Though I may, in the intimacy of private life, have spoken to you of whatever poetic merits I have, I am far from wishing to declare myself seriously the rival of the best talent of the capital. Such pretension never entered my head. Nay, in these days I might have written _Athalie_ and yet deem myself unfit for the Academy. In revolutionary times, things invade and overflow each other, and nothing is more futile than the lamentations of literary men over the nomination of politicians to the vacancies of the French Academy. The revolution has always jealously guarded her approaches; the _Institut_ is her council." Ten years later he congratulates himself that things have so far mended among academicians as that "one may pronounce God's holy name in the halls of the academy"; but he steadily refused to be nominated for a _fauteuil_. Reboul's relations with the great men of his day were active and cordial. No party feeling separated him from any on whom the stamp of genius was set equally with himself. He corresponded with distinguished personages of all countries, English, French, Italian, etc., admired and appreciated the literature of foreign lands, followed the intellectual movement of Europe in every branch of learning, and supplied by copious reading of the best translations his want of classical knowledge. The Holy Scriptures and the patristic literature of the church were familiar and favorite studies with him; in every sense of the word, he was a polished and appreciative scholar. The accident of his birth and circumstances of his life in no way interfered with this scholarship, and it would be a great mistake to suppose that he was but a phenomenon, a freak of nature, a working-man turned suddenly poet, but having beyond the gift of ready versification no further knowledge of his art or grasp of its possibilities. In 1834, having addressed to Lamennais a poetical warning and remonstrance, he says that, receiving no answer, "he is appalled by the silence of this man. Heaven forefend that the pillar which once was the firmest support of the sanctuary should be turned into a battering-ram!..." The Christian world knows that this prophecy came true, but there are those who believe that on his death-bed the erring son was drawn back to the bosom of his mother.