The Catholic World, Vol. 18, October, 1873, to March, 1874.: A Monthly Magazine of General Literature and ScienceVarious
Religion
The Catholic World, Vol. 18, October, 1873, to March, 1874.: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
Every great _Pardon_ lasts at least three days. On the eve, all the
bells are set ringing, and the people busy themselves in decorating
the church. The altars are adorned with garlands and vases of flowers,
the statues of the saints clothed in the national costume, the patron
or patroness being distinguished by the habiliments of a bridegroom
or a bride. The former has a large bouquet, tied with long and
bright-colored ribbons; the white head-dress of the latter glitters
with a hundred little mirrors. As the day declines, the church is
swept and the dust scattered to the winds, that it may be favorable
to those who are coming to the morrow's festival. After this, every
one places in the nave the offering he has brought the patron saint.
These offerings generally consist of sacks of corn, bundles of flax,
soft white fleeces, cakes of wax, or other agricultural productions,
just as in the days of Gregory of Tours, who mentions the "multitudo
rusticorum, ... exhibens lanas, vellera, formas ceræ, etc."[44]
Dancing then begins, to the sound of the national _biniou_, the
bombardo, and tambourine, in front of the church, or by the fountain
of the patron saint, or it may be near some ancient dolmen, which
serves as a seat for the fiddlers: it is even stated that not more than
a century ago dancing took place in the church itself--a profanity
which the clergy invariably set themselves against, the bishops
excommunicating obstinate offenders.
In some places, bonfires are lighted at night upon the eminence on
which the church is built, and on the neighboring hills. As soon as the
flame leaps up the pyramid of dry leaves and broom, the crowd walks in
procession twelve times round it, reciting prayers or singing. The old
men surround it with a circle of stones, and place a cauldron in the
centre, in which, in ancient times, meat was cooked for the priests,
but in the present day it is filled with water, into which children
throw pieces of metal, while a circle of beggars, kneeling around it
bare-headed, and leaning on their sticks, sing in chorus the legends
of the patron saint. It was exactly thus that the old bards sang hymns
in honor of their divinities, by the light of the moon, and round the
magic basin encircled with stones, in which was prepared the "repast of
the brave."
Public-domain text, read in full here on John Shaqi.
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