The Catholic World, Vol. 18, October, 1873, to March, 1874.: A Monthly Magazine of General Literature and ScienceVarious
Religion
The Catholic World, Vol. 18, October, 1873, to March, 1874.: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
were lord of this vast, melancholy, romantic pile, the natural scene
of some stately poem, the fitting frame of some picture like Millais'
pathetic "Huguenot Lover," the sure source of an inspiration lofty,
noble, vague, and richly proportioned. Everything is on a scale of
magnificence, such as suggests only extravagance to our dwarfed notions
of the proprieties of life; a modern visitor feels a pigmy in those
vast, re-echoing halls; he almost expects some Brobdingnag halberdier
in cloth of gold and scarlet to catch him up by the hair as some insect
curiosity, or at least to order him out as an impertinent intruder;
the great marble staircase seems to be alive with the shades of the
noble throngs who, in Spanish doublets, jewelled _toques_, needle-like
swords, and stiff neck-ruffs, used to parade the courtly scene--in
fact, he finds himself utterly overwhelmed by the phantoms of a
greatness that is dead; swamped by the flood of modern days that has
brought in a generation of monkeys to consume their lives in efforts to
fill the place of a generation of lions.
Again, the traveller may find other sights among the villas of the
Lake of Como--less pleasant sights, too, and jarring on the artist's
sense of fitness; as, for instance, when he finds a wealthy and prosaic
_paterfamilias_, of the class who do not know and care less what
antiquity means--unless it may mean shabbiness--established in placid
and ludicrous possession of some stately abode such as we have named.
Of course, this unappreciative being, with his robust wife and chubby
olive-branches, is of the great, dominant, self-sufficient Anglo-Saxon
race, with its grand physical contempt of everything that is foreign,
but its keen national determination to take timely advantage of
everything that is cheap. He may be from our own or the other of the
Atlantic shores; from the cotton-mills of England or the oil-wells of
America; but he will invariably be a man of prosaic and practical
tendencies, quite impervious to the romance of his new home, but
perfectly alive to its value as a good speculation and an economical
venture. You will never find an artist or a scholar thus established;
_they_ will be penned up in a white-washed room of some peasant's
cottage, or, if lucky members of their craft, in the "best room" of
the _Signor Curato's_ little presbytery. They, too, are on the lookout
for cheap lodgings; but what is cheap to the careful millionaire is
the height of impossible extravagance to the gifted brain-worker.
And for our part, if we had to share the home of either of these two
classes of lake tourists, we should much prefer a shake-down at the
white-washed cottage, with the human counterweight of the artist, than
the surroundings of marble halls, spacious, deserted gardens, and
ghost-haunted staircases, if balanced by the incongruous presence of
the prosperous family before mentioned. What poetic justice is it which
sternly forbids the tenantship of such abodes to be interchanged?
Public-domain text, read in full here on John Shaqi.
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