The Catholic World, Vol. 18, October, 1873, to March, 1874.: A Monthly Magazine of General Literature and ScienceVarious
Religion
The Catholic World, Vol. 18, October, 1873, to March, 1874.: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
been painted with red-currant juice, with a large spot of the same on
the outer part. By morning, the whole foot was inflamed, and I was a
prisoner to my bed for many weeks."[59] In another case referred to by
Dr. Tuke, "a lady of an exceedingly sensitive and impressible nature,
on one occasion when a gentleman visited her house, experienced a very
uncomfortable sensation so long as he was present, and she observed
a spot or sore on his cheek. Two days after, a similar spot or sore
appeared on her cheek, in precisely the same situation, and with the
same characters."[60]
I have no fault to find with Dr. Tuke for extending this same principle
of sympathetic attention to the case of stigmatization, when he
says of S. Francis, absorbed in ardent realization of the Passion of
Christ, "So clearly defined an idea, so ardent a faith intensifying its
operation, were sufficient to reflect it in his body."[61]
I cannot help thinking that the Fathers recognized the creative power
of the imagination when they denounced so fiercely the masquerading
in beast-skins on the calends of January. "Is not all this false and
mad when God-formed men transform themselves into cattle, or wild
beasts, or monsters?"[62] The numerous accounts of the were-wolf
transformation, both in classical and mediæval times, all point in the
same direction; and Mr. Baring-Gould brings good authority for thinking
that the etymology of the "Barsark" rage of the Norsemen designates it
as an outcome of their bear-skins.
The direct action of the imagination upon external objects, attributed
to Avicenna (_Muratori della Fantasia_, p. 268), is, of course,
something further. The Arabian philosopher is reported to have said
that, "by a strong action of the fancy, one might kill a camel." At the
same time, the signature on the fœtus, not merely of the emotion of the
mother's fear or desire, but of the object or occasion of it, would
seem to imply some action _ab extra_, as well as such cases as that of
the sympathetic bruise referred to above.
That the ordinary acts of the imagination, for all their airy and
impalpable play, do leave behind them most momentous results, forming,
as it were, the very mould and measure of our whole life, is a matter
of constant experience. Hence it is that castles in the air are often
so costly, to say nothing of the danger that, though we have built
them ourselves, we may find them haunted.
Public-domain text, read in full here on John Shaqi.
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