The Catholic World, Vol. 19, April 1874‐September 1874Various
Religion
The Catholic World, Vol. 19, April 1874‐September 1874
Various
Catholic Church -- Periodicals
These general notions being admitted, let us inquire into the principles
of accidental compounds. An accidental compound is either a compound of
substance and accident or a compound of real essence with something
superadded. In the first case, “accidental” means the opposite of
“substantial”; in the second case, “accidental” means the opposite of
“essential.” Thus _a falling body_ is an accidental compound of substance
and its momentum, the momentum being a real accident; whereas _a man
clothed_ is an accidental compound of individual human nature and dress;
the dress being considered as something accidental as compared with the
essence of man, though it is a real substance. And in the same manner a
mass of gold is an accidental compound of golden molecules, because each
molecule fully possesses the essence of gold independently of any other
molecule; whence it follows that the addition of other molecules is
accidental as compared with the essence of gold, and only increases the
quantity without altering the specific nature of gold. Of course, these
other molecules are substances, and it is only their concurrence into one
mass that is accidental.
It is plain that the constituent principles of an accidental compound are
three—viz., _the accidental act_ which entails a modification of the
subject; _the subject_ which receives the modifying act; and _the
accidental mode_ of being, or the modification, which results from the
reception of the act in the subject.
The subject is always a complete physical being, and, therefore, has its
own essential act, term, and complement, independently of all things
accidental. It becomes the subject of an accidental act by actually
receiving it.
The accidental act which is received in the subject must proceed
immediately from the action of some natural or supernatural agent. This is
evident; for real receptivity is real passivity, and therefore reception
is passion. Now, no passion can be admitted without a corresponding
action. Hence all accidental act that is properly and truly _received_ in
a subject is the immediate product of action, and its production exactly
coincides and coextends with its reception.
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