The Catholic World, Vol. 19, April 1874‐September 1874Various
Religion
The Catholic World, Vol. 19, April 1874‐September 1874
Various
Catholic Church -- Periodicals
As we pass beneath the deep shadow of the great colonnade of S. Peter’s
into the vast piazza facing the Basilica, it is like stepping from the
mazes of a forest out into the sunny plain. Almost catching the diamond
spray of these ever‐joyous fountains, we mount the easy steps, so
dignified in their gradual ascent, and pass into the gallery of the façade
with the same awe‐struck feeling we have experienced when suddenly we have
found our frank glance come in unexpected contrast with the deep,
scrutinizing gaze of a dark eye and the overhanging solemnity of a
thoughtful and heavy‐laden brow. And first the bass‐relief before us tells
us the history of the church. Christ delivers the keys to S. Peter, who,
kneeling, receives the tokens of his high office. At either end of the
long gallery are the equestrian statues of two great imperial defenders
and benefactors of the church: Constantine the Great still gazes on the
labarum that appeared to him in mystic form not far off on that very hill
of Monte Mario, pine‐crowned, and where now stands a church in
commemoration of the event—an event which turned the City on Seven Hills,
the Babylon of the prophecies, the woman drunk with the blood of the
martyrs, into the Eternal City, the port of the church’s bark, the
patrimony of S. Peter, and the home of all Christian hearts—the city of
which a great and royal sufferer once said; “J’ai trouvé que Rome est
l’endroit où on peut le mieux se passer du bonheur.”(79) Here all sorrow
is ennobled, all grief is sheltered. The great King of the church is
himself “the Man of Sorrows,” and here his Vicar reigns!
At the very entrance we pause to ponder over as touching an elegy as ever
was written _in memoriam_; and the grief it portrays is that of the other
great defender of the church, whose equestrian statue meets us on the left
end of the gallery—Charlemagne mourns for Adrian I.
“I, Charles, write these verses, weeping for my father! Yea, my father, my
dear love! These verses are my lamentation for thy loss. Be thou ever
mindful of me, whose memory seeks thee dwelling with Christ in the blessed
region of heaven. The priests and the people loved thee with a great love,
and all with one love, best of shepherds! Great friend! I mingle in one
our names and our illustrious titles. Adrian and Charles—emperor, I; and
father, thou!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account