The Catholic World, Vol. 20, October 1874‐March 1875Various
Religion
The Catholic World, Vol. 20, October 1874‐March 1875
Various
Catholic Church -- Periodicals
Again, the celebrant must be a priest, the deacon must have received
deacon’s orders, and all others who, although laymen, may, as acolytes and
choristers, aid the consecrated personages in their duties, are invested
with a quasi‐ecclesiastical character while in office. No one should ever
dream of engaging the services of Jews, Protestants, or infidels, or even
of Catholics whose lives were notoriously bad, or who scandalously
neglected receiving the sacraments, as our “gallery‐choirs” are
constituted in many a church in this country.
In the event of the priest not been able to sing, through any infirmity,
no layman of the congregation could take his place, although he were the
finest singer in the world, the very prince of _cæremoniarii_, and a
greater saint than S. Peter himself.
From which considerations it will readily be seen how unsuited music is
for the use of such persons acting in such a capacity.
Practically, music is the song of women. We shall show further on that it
is essentially effeminate. There is music which men and boys can perform,
it is true, but it is not the genuine article. The want of the female
voice for the soprano is always felt; and in some countries where women
are not yet admitted as church singers, and “church music” is highly
prized, this want is supplied by _castrati_. It is not the song of
ecclesiastics. That the use of it is _tolerated_, we know; that the
singing of women and _castrati_ in church is also tolerated, we know; but
the “Instructions” (we guarantee that nineteen out of twenty would agree
with us in saying that “Restrictions” would be their better title) of the
cardinal vicar on “church music,” referred to by the writer of the late
articles on that subject in THE CATHOLIC WORLD, remind us of the probable
“instructions” that would be given if the abuse of female acolytes were to
creep in to any great extent. We would find, without doubt, prohibitions
against the wearing of the hair in curls, or _frisée_, or _à la_
Pompadour, short sleeves, low necks, and crinoline. They would be
instructed also, without doubt, to wear a plain black cassock and linen
surplice, be shod like men, and let not their courtesies savor of the
_débût_ of actresses upon the stage of a theatre. If these instructions
would be faithfully observed _ex animo_, and boys were not extinct as a
sex in the congregation, we do not think they would very long have any
practical application.
Public-domain text, read in full here on John Shaqi.
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