The Catholic World, Vol. 20, October 1874‐March 1875Various
Religion
The Catholic World, Vol. 20, October 1874‐March 1875
Various
Catholic Church -- Periodicals
The Divine, Incarnate Victim of Calvary is the Suppliant, and the Son of
David and of Mary is the Singer. And we are told—do our senses not deceive
us?—that his song is become extremely monotonous, and burdens the ear with
a weight of sound not always tolerable! No, we will not allow in excuse
that this sneer of disdain and expression of contempt is only for the
chorus, and is not meant for the consecrated priest. There is a divine
unity and faultless harmony in the “prayer” of Jesus Christ as the church
utters it. It is the seamless garment which clothes his mystic body; who
shall dare to rend it?
What master‐mind conceived and executed the magnificent and inimitable
spectacle which that prayer presents in a solemn Mass and Vespers to the
minds and hearts of devout worshippers? What cunning artificer devised the
harmony of a composition so complete? Who breathed into all those prayers
and anthems, hymns and psalms, Epistles and Gospels from Holy Writ, that
spirit of devotion and piety, and informed them with those lessons of the
purest morality and professions of the universal faith of Christendom?
What more than angelic Artist knew how to dye the martyr’s chasuble in
blood, and transfer the spotless purity of the lily to the stole of the
confessor and the virgin; to weave the robes of penance with the violet’s
mournful hue, and paint the verdure of the grass upon the ferial vesture?
Who is that heavenly Musician whose soul gave birth to that sweet,
intellectual, majestic melody espoused so happily to those chosen words of
devout contemplation, of lofty praise, of innocent joy, of dolorous
compassion, and of sanctified sorrow? We must look to other sources than
mere human science or artistic skill for a solution of these questions.
The mind and hand of a _divine_ Artist must be in that work whose unity
and harmony the hand of man will not sooner or later disfigure, mutilate,
reject, or destroy. That artist is the Holy Ghost, who is the Lord and
Life‐giver of the church, in whom the mystic life of Jesus Christ is
perpetuated by the like ineffable overshadowing which wrought his
conception in the womb of the Immaculate Virgin—that Spirit of wisdom,
from whom come all those inspirations of genius whose matchless
productions and marvellous power are the wonder of the world, the envy of
the flesh, and the hate of the devil.
But, no; we must believe that the divine Artist has failed, “confessedly”
failed, in this one of his masterpieces. Its noblest, highest purpose
found no adequate expression. Jesus Christ has been unable to manifest the
joy and triumph of his Sacred Heart, the sublimest purpose of his
eucharistic life, and his song is fit only to be chanted as a wail over
the dead or as groans of penance in sackcloth and ashes!
Do you believe it? We don’t.
To Be Concluded Next Month.
A Vision.
Public-domain text, read in full here on John Shaqi.
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