The Catholic World, Vol. 20, October 1874‐March 1875Various
Religion
The Catholic World, Vol. 20, October 1874‐March 1875
Various
Catholic Church -- Periodicals
spent the day with the Vernons, trying to divert their thoughts, and
preaching that patience which we were far from feeling ourselves.
About the time that these troublesome events were occurring we made an
excursion to the Carthusian church and monastery of San Martino, which
stands on the same summit as the Castle of St. Elmo, a little in front of
it, and facing the bay. It commands a glorious view of the city and all
the surrounding country; and the delight of visiting so beautiful a place
tempered my indignation at the robbery of the government in depriving the
monks of their home. Few things of the kind can be more beautiful than the
church, where formerly no woman entered. The walls, floor, and roof are
entirely composed of marbles of many colors. The altar‐rails, or rather
the low screen which cuts off the sanctuary—for rails there are none—is
sculptured _à jour_ in white marble, and looks like some exquisite lace‐
work. The choir behind the altar has also a marble screen of the same
wonderful open work. There are pictures by Spagnoletto of Moses and Elias
and the prophets. Nothing could be more appropriate to the austere life of
a Carthusian monk than that the chapel of his monastery should be
decorated by such an artist as Spagnoletto. Nor is the choice of subjects
less appropriate. Strength and depth of coloring; the expression of
masculine force in all the forms; bold outlines, deep shadows, and strong
lights, seem all in harmony with the condition of mind likely to be
eliminated by a life of silence and real, though not apparent, solitude;
for the monks, though many, dwelt alone in separate cells. It was a life
which called to mind the stern grandeur of Old Testament prophecies and
the ascetic life of the Old Testament prophets; while the richness of the
decoration; the elaborate carving—not in a friable material, such as wood,
but in enduring marble; the extraordinarily lavish use of precious stones;
the minuteness of detail, combined with the unity of plan, are just the
characteristics that we should expect to grow out of the leisure of
perpetual silence, and the digging deep down into the mines of thought
consequent on all but unbroken solitude. It was impossible not to be
struck with the whole as the outward growth of the peculiar inner life of
the remarkable order to which it had once belonged; and one marvels to
find that the extraordinary degree and nature of the beauty it possesses
had not addressed itself to the common sense of even a godless government
as a plea for its continued existence in the hands of those for whom it
had been reared. It should also be remembered that connected with this
life of leisurely meditation there were great opportunities for deep and
continued study; for the Carthusians are a learned order.
Public-domain text, read in full here on John Shaqi.
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