the master-butler crieth to the angel that he sound the trumpet. Then he hearing (who is hid in the vault), bloweth the pipe, which goeth to the angel, and the angel sets his trumpet to his mouth, and the trumpet soundeth very shrill. Then the servants which are in the chamber hearing, each of them poureth forth his drink into its proper pipe, and all the pipes pour them forth from above, and they are received below in vessels prepared for that purpose.” This elaborate piece of plate makes one think rather of the XVIth century banquets of the Medici and the Este than of feastings given by a nomad Tartar in the wilds of Central Asia. The goldsmith was not unknown to fame even in Europe, where he was called William of Paris. Several old chroniclers speak of him, and his brother Roger was well known as a goldsmith “living upon the great bridge at Paris.” This clever artist very nearly fell a victim to the quackery of a Nestorian monk, whereupon Rubruquis significantly comments thus: “He entreated him to proceed either as an apostle doing miracles indeed, by virtue of prayer, or to administer his potion as a physician, according to the art of medicine.” Besides the Tartars and their Christian captives, Rubruquis had opportunities of observing the numerous Chinese, or Cathayans, as they were called, who have been mentioned as the artificers of the town. There were also knots of Siberians, Kamtchatkans, and even inhabitants of the islands between the extremities of Asia and America, where at times the sea was frozen over. Rubruquis picked up a good deal of miscellaneous information, chiefly about the Chinese. He mentions their paper currency--a fact which Marco Polo subsequently verified--and their mode of writing; _i.e._, with small paint-brushes, and each character or figure signifying a whole word. The standard of value of the Russians, he says, consisted in spotted furs--a currency which still exists in the remoter parts of Siberia.