The Catholic World, Vol. 22, October, 1875, to March, 1876: A Monthly Magazine of General Literature and ScienceVarious
Religion
The Catholic World, Vol. 22, October, 1875, to March, 1876: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
At Dax we took a carriage to the _Berceau_ of S. Vincent, and, after
half an hour’s drive along a level road bordered with trees, we came
in sight of the great dome of the church rising up amid a group of fine
buildings. Driving up to the door, the first thing we observed was the
benign statue of the saint standing on the gable against the clear, blue
sky, with arms wide-spread, smiling on the pilgrim a very balm of peace.
Before the church there is a broad green, at the right of which is the
venerable old oak; at the left, the cottage of the De Pauls; and in the
rear of the church, the asylums and hospice--fine establishments one is
surprised to find in this remote region. We at once entered the church,
which is in the style of the Renaissance. It consists of a nave without
aisles, a circular apsis, and transepts which form the arms of the cross,
in the centre of which rises the dome, lined with an indifferent fresco
representing S. Vincent borne to heaven by the angels. Directly beneath
is the high altar where are enshrined relics of the saint. Around it,
at the four angles of the cross, are statues of four S. Vincents--of
Xaintes, of Saragossa, of Lerins, and S. Vincent Ferrer. The whole life
of S. Vincent of Paul is depicted in the stained-glass windows. And on
the walls of the nave are four paintings, one representing him as a boy,
praying before Our Lady of Buglose; the second, his first Mass in the
chapel of Notre Dame de Grâce; in the third he is redeeming captives, and
in the fourth giving alms to the poor.
We next visited the asylums, admiring the clean, airy rooms, the
intelligent, happy faces of the orphans, and the graceful cordiality of
the sister who was at the head of the establishment--a lady of fortune
who has devoted her all to the work.
Public-domain text, read in full here on John Shaqi.
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