nature, and confines itself to pretty commonplaces and pious allusions and exemplary sentiments exchanged between namby-pamby people who are represented as in a state of society which, practically, has no prototype in real life, where strong passions and conflicting interests and fierce temptations have no existence, but where all difficulties are adjusted by a pious suggestion offered at the right moment by a friend or a book. Grown-up men and women will not be put off with this sort of thing, be they ever such good Catholics; when they take up a novel, they do so for interest or amusement, and, for lack of better, they fall back on the real novels, sensational or otherwise. This is a lamentable state of things, and as fatal to Catholic writers as to their readers. It is this false idea of the character and requirements of Catholic literature which has brought it to the low ebb at which it now is among English-speaking Catholics, in spite of the growing numbers of a cultivated and intelligent audience. Every one recognizes the fact, and many deplore it, but no one has the courage to attempt the remedy. It would require, indeed, something more than any effort of individual influence to break down the prejudices and puerile traditions that fence in the authorized field of Catholic fiction in the present day, and it is difficult to say which calls for strongest denunciation—the prohibition which excludes certain subjects, or the large license given to the use of others. The Catholic novelist is forbidden to strike the deep, vibrating chords of nature and of souls, but he believes himself free to handle the most sacred subjects, to preach and moralize to the top of his bent. It is hard to speak of this folly as dispassionately as we should wish; but looking at it with all possible indulgence, is there not something in the stupid conceit and self-complacent audacity of it that may justly rouse indignation? We see grave men, who have graduated in the schools, give up long years to the study of sacred science, in order that they may some day be competent to speak worthily on these high themes, that they may learn how to balance the relations of right and wrong, and define the limits of temptation and sin, of cause and effect; and when, with knowledge ripened by study and meditation, they venture to write, it is in a spirit of great reverence and in fear and trembling. On the other hand, we see incompetent laymen, young ladies and young gentlemen fresh from school, utterly inexperienced, but well supplied with the boldness of inexperience and incompetence, dipping a dainty pen into a silver inkstand and proceeding to discourse in a novel of pious subjects—of prayer, and temptation, and sacraments, and priests and the priestly character, and controversial subjects—as flippantly as they might discuss the merits of a new opera or a new costume. And they fancy, forsooth, that this is doing good and giving