“At the same moment,” she says, “I heard near me a voice well known though well-nigh forgotten—a voice at once calm, strong, and sweet, but which now sounded slightly sarcastic. ‘Although I cannot aspire to the honor of dancing with the Duchess de Valenzano, may I hope that she will deign to recognize me?’ “I turned around quickly. The speaker who stood there and thus addressed me was Gilbert de Kergy.” The ordinary French novelist had here a fine opportunity for bringing matters to a crisis between Ginevra and Gilbert; but the present author uses it differently. Gilbert does not take advantage of the temporary madness of Ginevra to gain influence over her and beguile her from her allegiance to Lorenzo, faithless and cruel as he is. Gilbert is far too noble for this, and his first feeling, on beholding his ideal in this dangerous and unworthy atmosphere, is one of censure and poignant regret. Neither he nor Ginevra is of the conventional type of defaulters; both are good, high-principled, and brave; they are both practical Christians, and the idea of betraying their duty to God and to their own honor would have revolted them had it presented itself in its naked horror. But it did not. The approach was gradual, imperceptible. And here we have a great truth illustrated—one which it is customary in Catholic authors to ignore practically, if not theoretically: The possession of the faith and the practice of religion do not act as opiates on human beings, deadening their hearts and annihilating nature, and lifting them to a secure region where the great temptations of life cannot reach them, or where, if they do, they glide off harmless as arrows glance from the steel cuirass of the soldier. Ginevra is pure and true as ever woman was who vowed at the altar “that most solemn vow that a woman can utter”; she was, moreover, genuinely pious. Gilbert was the very ideal of manly chivalry and honor and goodness, an accomplished type of the Christian gentleman; but neither he nor she was fireproof when the time of trial came. He loved Ginevra before he knew it; and she, forsaken, humiliated, stung in her love and her wifely pride, is thrown into his constant companionship, not by her seeking, but through one of those accidents to which women of her class and circumstances are liable every day. She is grateful for Gilbert’s brotherly regard, she admires his noble life and his sentiments, so true, so different from those of other men; she is grateful to him for the frank rebuke which he spoke out at the ball when she was drifting she knew not whither. Step by step the friendship grows to a tenderer feeling, and at last culminates in a love whose depth and power Ginevra does not even suspect, so gradual has been its development. We tremble for her; but even when we see her tottering blindfold on the edge of the abyss, we feel certain she will never take the fatal plunge. All this is