They were already on their way to the asylum of St. Michael—that immense establishment, which contains a little world within itself, where beauty and charity dwell together; where the young find protection and instruction, and the old a refuge, under the same roof; where music, sculpture, painting, and kindred arts have made their home. Here the poor, instead of being swept away like dead leaves from a garden, to decay in obscure disgrace, slip, consoled and unashamed, into the grave, like fallen leaves that die in peace between the embracing roots of the green tree they once helped to adorn. The long, arched corridors were fresh and cool, the brilliant day entering only in a tender light, or, here and there, in some splash of gold that burned only the spot it fell upon. Fountains murmured in the courts, and all the business of the place moved with a subdued and leisurely action which made work seem a pleasure. It was not toil, but occupation—that wise and healthy degree of work which makes work possible for many years, instead of crowding the force of a whole life into a few feverish days. There was not a face which showed anxious and nervous hurry. All were calm and cheerful. Our friends did not attempt to see anything more than the tapestry-making and mending, the first in the men’s department, the last done entirely by women and girls. The two immense halls devoted to these works, with the ante-chambers, were completely hung with old tapestries, making a softly and richly-colored picture-gallery of the whole place. In the manufacturing hall upright frames held the great squares of the warp, with the design drawn or stamped carefully on the closely-stretched threads. Behind these sat the weaver, working in the figures with long spools of colored wools, pressing down closely each stitch with a little instrument he held in the left hand. A score or more of these bobbins hung at the back of the tapestry, each to be caught up and woven in in its turn. Across the lower part of the carpet already a yard was splendidly woven of solid and brilliant color. In another part of the hall hung a large picture for a future weaving—a balcony with a vine and figures—and on a table under it were arranged the myriad selected shades and colors that composed it. Here all in the work was brightly colored; but when they went to the other part of the building, where the women were occupied in restoring, it was like passing from dazzling midsummer to a late October day. The very light and atmosphere of the place seemed different. Stretched on large frames laid out like country quilting-frames were dim old tapestries with figures of gods and goddesses, of mythical heroes and heroines, or of historical persons and events, the fabrics all more or less ragged, but inestimably precious. Girls were grouped around these, mending, directed by an artist. Hanging on the walls were other tapestries that had been