The Catholic World, Vol. 25, April 1877 to September 1877Various
Religion
The Catholic World, Vol. 25, April 1877 to September 1877
Various
Catholic Church -- Periodicals
testimony of Jesus to the Sacrament of Baptism continues even to the
end, to his very Passion; for, when he is condemned to the cross, water
is not absent—witness the hands of Pilate; nay, when wounded after death
upon the cross, water bursts forth from his side—witness the soldier’s
spear.”
There may be something in this symbolism that sounds strange to modern
ears; but we are not here criticising it; we have nothing to do with its
merits or demerits, but only with the fact of its general use—so general
that it was the one principle of exegesis which every commentator on
Holy Scripture in those days followed, and we have every right to
suppose that Christian artists would have followed it also. When,
therefore, we find in the Roman Catacombs (as, for example, the other
day in the cemetery of San Callisto) a glass vessel, very artistically
wrought, with fishes in _alto rilievo_ swimming round it in such a way
that, when full of water, it would have represented a miniature image,
as it were, of the sea, is it a mere fanciful imagination which bids us
recognize in such ornamentation a reference to holy baptism, and
conjectures that the vessel was perhaps even made for the administration
of that sacrament? It may be so; but we cannot ourselves think so; we
cannot at once reject the explanation as fanciful; the work of the
artist corresponds too exactly with the words of the theologian to allow
us to treat the coincidence as altogether undesigned. “We little fish
are born,” says Tertullian, “after the likeness of our great Fish in
water, and we cannot otherwise be safe than by remaining in the water.”
And we seem to ourselves to read these same words, written in another
language, in the beautiful vessel before us. We read it also in another
similar vessel, which looks as though it had come out of the same
workshop, yet was found in an ancient cemetery at Cologne; and in
another of bronze, dug up in the vineyard over the cemetery of
Pretextatus, that used to be shown by Father Marchi in the Kircherian
Museum at the Roman College. In all these instances we believe that this
is the best account that can be given, both of the original design of
the vessel and also of its preservation in Christian subterranean
cemeteries. However, if any one thinks otherwise, we do not care to
insist upon our explanation as infallibly certain. We will descend into
the Catacombs themselves, and look about upon the paintings on their
walls or the carving on their gravestones, and see whether baptism finds
any place there also.
Public-domain text, read in full here on John Shaqi.
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