The Catholic World, Vol. 26, October, 1877, to March, 1878Various
Religion
The Catholic World, Vol. 26, October, 1877, to March, 1878
Various
Catholic Church -- Periodicals
This curious monogram is worth perusing, if for no other reason than the
fanciful and novel views which it presents. The author attributes many
of our present social evils to mongrelism, or the admixture of distinct
types of men. He finds in the Book of Revelation the foreshadowing of
the natural distribution of men into white, red, and black, deeming the
three similarly colored horses to be typical of those three branches of
the human family, while the fourth horse, on which sat Death, he
considers to be the emblem of mongrelia. He opposes J. J. Rousseau’s
idea that man’s primitive condition was one of barbarism, and contends
that historical and archæological discoveries prove rather a
retrogression than an improvement. The Chinaman is Dr. Quinby’s ideal of
a mongrel. In the land of flowers every art once flourished, learning
was cultivated, the harpist filled the air with sweetest strains, and
the poet sang delicious lays in the beautiful vale of Cashmere, till the
bane of mongrelism fell on it and all progress ceased. Mexico and South
America are other evidences of the pernicious influence of hybridism.
The conclusions of the author are in many instances sound, but his
reasoning is too fanciful to satisfy a sober-minded reader. His
statement that the rapid influx of Chinese into our midst is fraught
with mighty perils is well worth pondering over, and no true statesman
will shun the serious consideration of this knotty problem.
JACK. From the French of Alphonse Daudet. By Mary Neal Sherwood,
translator of _Sidonie_. Boston: Estes & Lauriat. 1877.
Another painful story by this gifted author. It is cleverly told and the
treatment is highly artistic, showing all that careful finish that
French writers bestow even on their smallest characters. The characters
in this story are most of them wretched enough. Lovers of the real in
fiction will find them realistic enough. There is a tone of hopelessness
and helplessness in _Jack_, as in _Sidonie_, that is very disheartening.
According to M. Daudet, a relentless Fate would seem to clutch some
miserable mortals, and hold them till death came as a happy release.
“The mother cried in a tone of horror, ‘Dead’?” “No,” said old Rivals;
“no—_delivered_,” are the last lines of _Jack_.
Public-domain text, read in full here on John Shaqi.
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