The Catholic World, Vol. 26, October, 1877, to March, 1878Various
Religion
The Catholic World, Vol. 26, October, 1877, to March, 1878
Various
Catholic Church -- Periodicals
The treasures of St. James of Compostella were formerly renowned
throughout the world; but there seems to have been some exaggeration
respecting their immensity, as, from all the objects of which the French
plundered the cathedral in 1809, they obtained no more than 300,000
francs. There still remain various rare and curious things—reliquaries,
statues, sacred vessels, etc.—some of which are of great value and
antiquity; amongst others a crucifix containing a fragment of the true
cross, and which is of exquisite workmanship, being also one of the most
ancient specimens of chasing known. The cross is wrought in gold
filagree, enriched with jewels, and resembles that of Oviedo, which is
said to be the work of angels. It bears the inscription: “Hoc opus
perfectum est erâ LXOO. et duodecimâ. Hoc signo vincitur inimicus. Hoc
signo tuetur pius. Hoc offerunt famuli Dei Adefonsus princeps et
conjux.”
Among the chapels must be noticed the _Capilla del Pilar_, dedicated to
Our Lady in memory of her apparition to St. James. This, which is behind
the high altar, and rich in precious marbles and jasper, was founded by
Arthur Monroy, a rich Mexican prelate, whose kneeling statue on his tomb
has a fine and attractive expression. Many of the other chapels are also
remarkable; that of the kings of France, of the Conception, of the
Relics, etc.
Let us add to these riches of the old cathedral a large concourse of
worshippers at all the services, a people profoundly religious, a
magnificent ceremonial, the officiating archbishop surrounded by his
clergy, grand and solemn music swelled by the multitudinous voices of
the faithful; let us imagine a vast procession beneath these vaulted
roofs, and the trembling light of the tapers illuminating the sombre
walls as the seemingly interminable train of choristers, clergy, and
people pass along, and we shall have evoked a scene which, though its
like may be witnessed in other lands, still bears in Spain a peculiar
stamp of gravity and fervor, and possesses the earnest features and the
vigorous relief of which the Spanish artists knew the secret, and which
they have reproduced on their canvas in warm shadows and golden lights.
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A SWEET REVENGE.
I.
Public-domain text, read in full here on John Shaqi.
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