Nathaniel Hawthorne, who, of all American writers, had the true transcendental mind, ridicules it unsparingly. His doleful experience upon Brook Farm, when he attempted to milk a cow, may have had a practical awakening effect upon his dreams. In a little sketch entitled _The Celestial Railroad_, in which he whimsically carries out Bunyan’s _Pilgrim’s Progress_, he introduces Giant Transcendentalism, who has taken the place of Giant Pope, and Giant Despair, that interrupted Christian’s progress to the Delectable Mountains. Giant Transcendentalism is a huge, amorphous monster, utterly indescribable, and speaking an unintelligible language. This language, which Emerson strives to make articulate, we read with mingled amusement and astonishment in the German writers. Emerson is not a member of the _Kulturkampf_, like Carlyle. His mind does not take in their wild rhapsodies. His essay on Goethe (in _Representative Men_) is cold and unappreciative when compared with the Scotchman’s eulogies. We firmly believe that no healthy intellect can feed upon Fichte, Schelling, Hegel, or even Kant, who was the most luminous intellect of the group. Emerson has not the stolid pertinacity of Herr Teufelsdröckh. His genius is French. He delights in paradox and verbal gymnastics. Carlyle works with a sort of furious patience at such a prosaic career as Frederick the Great’s. He gets up a factitious enthusiasm about German _Herzhogs_ and _Erstfursts_. Emerson would look with dainty disdain upon his Cyclopean work among big, dusty, musty folios and the hammering out of shining sentences from such pig-iron. Whence his transcendentalism? We believe that it has two elements, nature-worship and Swedenborgianism. Of nature-worship we have very little. Like Thomson, the author of the _Seasons_, who wrote the finest descriptions of scenery in bed at ten o’clock in the morning, we are frightfully indifferent to the glories of earth, sea, and sky, whilst theoretically capable of intense rapture. This tendency to adore nature, and this intense modern cultivation of the natural sciences, we take as indicative of the husks of religion given by Protestantism. Man’s intellect seeks the certain, and where he cannot find it in the supernatural he will have recourse to the natural. The profound attention paid to all the mechanical and natural sciences, to the exclusion, if not denial, of supernatural religion, is the logical result of the absurdity of Protestantism. Perhaps Emerson’s poetic feeling has much to do with his profound veneration for fate, nature, and necessity, which are his true god, with a very little Swedenborgianism to modify them.