On the other side of the entrance is a similar tablet relating to St. Peter Nolasco, a knight of Languedoc, who, after serving in the religious wars of the times, ascended Montserrat on foot, and, when he arrived at the threshold of the house of Mary, fell on his knees, and in this position approached her altar, where he spent nine days in watching and prayer. It was during one of his prolonged vigils that he conceived the project of founding the celebrated Order of Mercy, which required of its members to give themselves, if need were, for the liberty of their brethren in bondage, and which in the course of about four hundred years (1218-1632) ransomed, at the price of millions, four hundred and ninety thousand seven hundred and thirty-six Christians (among whom was the great Cervantes) from the prisons of the Moors, where they had endured sufferings no pen could describe. Dwelling on these saintly memories, we passed through the arcades of the court, green and damp with mould, and came to the church. The exterior, of the Renaissance style, is by no means striking. There are columns of Spanish jasper on each side of the door, with niches between for the twelve apostles, of whom only four remain. And over the entrance stands our Saviour giving his blessing to the pilgrim. There is a single nave of fine proportions, divided transversely by one of those iron _rejas_, or parcloses, peculiar to Spain, with a succession of chapels at the sides, by no means richly decorated. It was noon, and there was not a person in the large church. Divested of its ancient riches, and simply ornamented, it needed the crowds of pilgrims for whom it was intended to give it animation and effect. But the antique Virgin was there, in the centre of the retablo over the high altar, surrounded by lights, and we were glad of the silence and solitude that surrounded her. The sacred image of Our Lady of Montserrat is believed to be one made by St. Luke the Evangelist at Jerusalem, and brought to Spain by St. Peter, and long preserved in a church erected by St. Paciano at Barcelona under the title of the Blessed Maria Jerosolimitana,[26] where it was still venerated in the time of San Severo, a bishop under the rule of the Goths. According to an old chronicle, it was to preserve it from the profanation of the Moors that, on the tenth of the kalends of May, 718, Pedro the bishop, and Eurigonio, a captain of the Goths, took the holy image of the Blessed Mary, and carried it to the mountain called Asserado, and hid it in a cave.