Now the dance is off, but now it is on again, and again. The fiddler toils to finer and finer heights of enthusiasm; slippers twinkle, top-boots flash, the evens come in (to the waltz) and the odds, out on the veranda, tell one another confidentially how damp they are. Was ever an evening so smotheringly hot! Through the house-grove, where the darkness grows blacker and blacker and the tepid air more and more breathless, they peer toward the hitching-rail crowded with their horses. Shall they take their saddles in, or shall they let them get wet for fear the rebels may come with the shower, as toads do? [Laughter.] One or two, who grope out to the animals, report only a lovely picture: the glowing windows; the waltzers circling by them; in the dining-room, and across the yard in the kitchen, the house-servants darting to and fro as busy as cannoneers; on their elbows at every windowsill, and on their haunches at every door, the squalid field-hands making grotesque silhouettes against the yellow glow that streamed out into the trees. Now the lightning seems nearer. Hark, that was thunder; soft, but real. At last the air moves; there is a breeze, and the girls come out on the gallants' arms to drink it in. As they lift their brows and sigh their comfort the lightning grows brighter, the thunder comes more promptly and louder, and the maidens flinch and half scream, yet linger for one more draft of the blessed coolness. Suddenly an inverted tree of blinding light branches down the sky, and the thunder crashes in one's very ears; the couples recoil into a group at the door, the lightning again fills heaven and earth, it shows the bending trees far afield, and the thunders peal at each other as if here were all Vicksburg and Port Hudson, with Porter and Farragut going by. So for a space; then the wind drops to a zephyr, and though the sky still blazes and crashes, and flames and roars, the house purrs with content under the sweet strokings of the rain. Let it pour! the dining-room is the centre of all things; the ladies sip the custards and nibble the cake the gallants cram the cake and gulp the punch. The fiddler-improvisator disappears, reappears, and with crumbs on his breast and pan-gravy and punch on his breath remounts his seat; and the couples are again on the floor. The departing thunders grumble as they go, the rain falls more and more sparingly, and now it is a waltz, and now a quadrille, and now it's a reel again, with Miss Sallie or Louise or Laura or Lucille or Miss Flora "a-comin' down de lane!"