The Cavaliers of Virginia, vol. 2 of 2: or, The Recluse of Jamestown; An historical romance of the Old DominionCaruthers, William Alexander
History
The Cavaliers of Virginia, vol. 2 of 2: or, The Recluse of Jamestown; An historical romance of the Old Dominion
Caruthers, William Alexander
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
It was some hours after the sun had gone down, and about the same time
that Larimore put off to his vessel, when Bacon suddenly started up from
his rude couch, under an oppressive sense of glaring light upon his eye
balls. An aged and decrepid woman was leaning over him; she was resting
upon her knees, in one hand holding the lamp and in the other the locket
which had already exercised such an important influence upon his
destiny. She had sprung the lid, during his sleep, and was now gazing
upon the beautiful picture, with an interest and amazement not less
intense than he had himself manifested on its first discovery in the
Indian wigwam. So absorbed was her every faculty, that his sudden start
from sleep scarcely attracted her attention. Her eyes were filled with
water in the vain endeavour to decipher the outlines with convincing
accuracy. When the date and the initials and the hair were submitted to
a like scrutiny, conviction settled at once upon her mind. The feeling
operated slowly at first, but as one doubt gave way after another, her
pale and haggard features began perceptibly to assume the life and
vigour of deep excitement. The locket fell from her grasp, and she
clasped her hands--but suddenly throwing back the curling masses from
his brow she exclaimed: "Tell me, my master, are you called Nathaniel
Bacon?"
"I am! but tell me in your turn, why do you ask?"
She answered only by exclaiming, "O merciful Heaven! God be praised!
Wonderful are the ways of Providence!" Bacon was on his knees also, his
manacled hands laid upon her shoulders as he anxiously and hastily
inquired, "Tell me, good mother, what do you know of Nathaniel Bacon?"
"More than he knows of himself, mayhap!"
"Speak it quickly--moments are more precious than diamonds--say, whence
comes your knowledge? who are you? who am I? for God's sake tell me
quickly!"
"You are the son of as worthy a gentleman as ever wore a sword. I knew
him and your honoured mother well--that is, if you are the same
mischievous boy whom I have mourned as drowned these many long and
lonesome years."
The captive waited to hear no more, but springing upon his feet, paced
wildly round the damp cellar like one in a delirium of joy. The old
woman still maintained her humble posture, her hands again clasped, and
her long wrinkled neck turning with difficulty to follow the strange
movements of the prisoner. Suddenly, and as if stricken down by a cannon
shot, he threw himself upon the earth his whole frame convulsed with
thoughts of his present hopeless condition. "What matters it whether I
am Nathaniel Bacon or not? What will it avail, this time to-morrow, when
these limbs, now so full of life and vigour in the renewal of hope, will
be still in the cold embrace of death?"
"Death!" the old woman screamed, rising from her knees, seizing the lamp
and thrusting it in Bacon's face--"Death, did you say, my son? or did my
old ears deceive me with the horrible word?"
Public-domain text, read in full here on John Shaqi.
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