To his surprise and consternation he found that the roof was of wood,
and quite as solid as one could imagine. It had been his plan to enter
the temple from above, but now it seemed that he was to be thwarted,
for he could not hope to cut silently through a wooden roof with his
parang in the few hours that intervened before dawn.
He stooped to examine the roof minutely with eyes and fingers. The
moonlight was brilliant. In it he could see quite well. He pulled
away the thin palm frond thatch. Beneath were shingles hand hewn from
billian. In each was a small square hole through which was passed a
strip of rattan that bound the shingle to the frame of the roof.
Thandar lifted away the thatching over a little space some two feet
square. Then he inserted the point of his keen parang beneath a rattan
tie string, and an instant later had lifted aside a shingle. Another
and another followed the first until an opening in the roof had been
made large enough to easily admit his body.
Thandar leaned over and peered into the darkness beneath. He could see
nothing. His own body was between the moon and the hole in the roof,
shutting out the rays of the satellite from the interior.
The man lowered his legs cautiously over the edge of the hole. Feeling
about, his feet came in contact with a rafter. A moment later his whole
body had disappeared within the temple. Clinging to the edge of the
hole with one hand, Thandar squatted upon the rafter above the temple
floor.
Now that his body no longer clogged the aperture in the roof the
moonlight poured through it throwing a brilliant flood upon a portion
of the floor at the opposite side of the interior. The balance was
feebly lighted by the diffused moonlight.
The temple seemed to consist of a single large room. In the center was
a raised platform, and also about the walls. From the rafters hung
baskets containing human skulls--one swung directly in the moonlight
beneath Thandar. He could see its grisly contents plainly.
His eyes followed the moonlight toward the area which it touched upon
the far side of the room. It reminded Waldo Emerson of a spot light
thrown from the gallery of a theater upon the stage.
Directly in the center of the light a woman lay asleep upon the
platform. Thandar's heart stood still. About her figure was wrapped the
glossy hide of Nagoola. Over one bare, brown arm billowed a wealth
of thick, black hair, fine as silk, upon the third finger of the left
hand blazed a large solitaire. The woman's face was turned toward the
wall--but Thandar knew that he could not be mistaken--it was Nadara.
From the rafter upon which he squatted to the floor below was not over
twelve or fifteen feet. Thandar swung downward, clinging to the rafter
with his hands, and dropped, cat-like, upon his naked feet to the floor
below.
Public-domain text, read in full here on John Shaqi.
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